Incredibly, since writing the previous two blog posts about the ​Largo Field Naturalists' Society, instituted in 1863, a photograph of the five founders has surfaced. The image above, of five men surrounded by plants, is part of the St Andrews University Library Special Collection. The only named man is Charles Howie (seated in the centre) and the official record only speculates on who the others in the photograph are. Taken by St Andrews photographer Thomas Rodger (1832-1883), this photo would have been taken between before 1872 (when it was displayed on the wall at a complimentary dinner in honour of Howie).

Now, to deduce who's who in the photograph. The youngest of the founding members was Benjamin Philp, Commission Agent and resident of Drummochy House. I would speculate that he is the man on Howie's right holding a smart shiny hat. To Howie's left is a dapper-looking gentleman with a trimmed collar and a floral embellishment on his jacket - likely tailor and clothier William Wood. Holding a plant stem on the far left is most probably Balcarres gardener Robert Adamson. That would leave the man on the far right in the tweed jacket as farmer James Bardner. So looking in detail at the men below, these could be from left to right: Robert Adamson, William Wood, Charles Howie, Benjamin Philp and James Bardner. Any information to help confirm this would be welcome.
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After keen botanist Charles Howie retired to Upper Largo in 1862, these men, with a shared interest in the natural world, worked hard to establish their fledgling Society. In 1872 the first of the founding members was lost, when James Bardner, tenant farmer at Chesterstone died aged 55. Bardner was a well-known figure in the community, also being the first President of Largo Curling Club. Although this must have been a blow for the Society, it continued to flourish, despite having handed over the running of the annual floral fete to the newly-formed Largo Horticultural Society in 1875. The extract below from the 1877 Oliver and Boyd's New Edinburgh Almanac shows the office bearers of the Society at that time. As the previous post described, the Society opened its Museum in the old Parish School on Upper Largo's North Feus (in the foreground in the photograph below) in 1879. Just two years later, the field naturalists lost another founder - Robert Adamson, former gardener at Balcarres, who died in 1881 aged 69.
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Through the 1880s, the Society's monthly meetings, annual 'conversazione' and weekly museum openings continued. The newspaper report above from 2 June 1887 Fifeshire Journal shows that both long-standing members and newer faces were actively involved. Charles Howie continued to own the museum building, leasing it to the Society, while renting Eden Cottage as his residence. However, around 1890, Charles Howie and his wife Isabella (pictured below circa 1845) moved back to St Andrews, due to failing health. Letters written by Howie during the 1890s show that he was frequently under doctor's orders to stay in bed. Yet he still tried to support the Society from a distance. He donated his collection of ferns to the museum around this time.

The early 1890s also saw the loss of two more Society founders. Benjamin Philp died in 1892 aged 72 and William Wood in 1893 aged 83. Long-distance member and long-time supporter Charles Jenner also died in 1893. Isabella Howie died in 1897 and Charles Howie himself passed away in 1899. Before his death, Howie transferred ownership of the Museum building to the Largo Field Naturalists' Society. 

The piece below from the 20 November 1907 Leven Advertiser tells of how Charles Howie was "the cementing influence which bound others with less enthusiasm together" and that "with his death the activity of the Society ceased".  The article goes on to say that the museum had now "for some years been little visited". It was school master Thomas Nicoll who now acted as Society Secretary and keeper of the Museum. His role was seen as "extremely nominal". At this point the future of the Society and its museum seemed bleak, however, change was afoot.

The Gilmours of Montrave had long supported the Field Naturalists and their museum. So when Sir John Gilmour provided a new public hall for Lundin Links - now known as the Montrave Hall - he ensured that it included space for a museum at the rear. The plans above show a hall capable of holding 388 adults, a stage and behind that a museum, with its own entrance to the side of the building. The contents of the Upper Largo Museum were moved to the new hall, in the growing village of Lundin Links, where greater footfall could be achieved. The old museum building was put up for sale (see below from 20 July 1910 Leven Advertiser). 
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The previous post covered the origins of the Largo Field Naturalists' Society and the role of seedsman, florist and fruiterer Charles Howie in its establishment. The first decade of the Society's existence was focussed on monthly meetings, regular "conversaziones" and, most importantly, its annual horticultural fete. Contributors to these floral gatherings included several head gardeners, such as Largo House's Colin McTaggart, Robert Adamson of Balcarres, Mr Hunter from Charleton and Mr Christie of Kilconquhar House. The early horticultural fetes were held in Keil's Den (pictured above). The excerpt below from the 20 August 1863 Fifeshire Journal describes how people arrived by train in 1863 and were transferred by carriage to the entrance. Visitors enjoyed the "green slopes of the Keil" as well as the "shade of its lofty trees passing along its winding walks".

The inaugural event left the Society with a surplus of funds, which they used to form a "cottage and garden section". The intention of this was encourage local people to take pride in their outside spaces by awarding prizes for  the produce of cottage gardens. Over the next decade, this section of the fete thrived and became the leading feature of the annual event. A substantial prize fund distributed among winners and special prizes and medals were donated by such individuals as retailer Charles Jenner and Glasgow goldsmith James Mark, who were among the 60 strong membership of the Society. In 1872, a complimentary dinner was laid on for Charles Howie in recognition of his hard work on behalf of the Largo Field Naturalists. The description below from the 22 March East of Fife Record mentions that a photograph of the five original members (Charles Howie, Benjamin Philp, William Wood, Robert Adamson and James Bardner) hung on the wall at the dinner.

The marquee at the revamped fete in 1875 was visited by upwards of 1000 visitors per day, generating a good nest egg for the following year. Largo Horticultural Society (later Largo and Newburn Horticultural Society) continued to successfully run the annual fete every year for decades (in fact the Society still exists today and regularly puts on flower shows and plant sales). The venue for the annual show varied over the years, even returning to Keil's Den on occasion. As Lundin Links developed, the show moved there. The advert below is for the 1898 show held in Homelands Park. This was the first of many shows held in Lundin Links, much to the indignation of the traditionalists of Upper Largo. Sport became a popular addition to the show and over the years this included races, tug of war, treasure hunts, 'pillow fights', the 'slow cycle race' and the mind-boggling 'musical chairs on cycles'!  

While the Horticultural Society had its fun, the Largo Field Naturalists' Society continued its more academic pursuits. After 16 years in existence, the opportunity arose for the field naturalists to acquire the Old Parish School on Upper Largo's North Feus. This was vacated in 1879, with the completion of the new Kirkton School. In fact, it was Charles Howie who purchased the old school building - see 1885 valuation roll extract below. This afforded the Society a proper space in which to display the objects collected over the years and also the potential to expand their collection. The aim was now to build up a collection "illustrative of the Natural History and Archaeology of the county" at the Museum. A plan was also made to turn the garden area into a miniature Botanic Garden. 
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Following a refit, the opening of the museum was marked by a Loan Exhibition (advertised below). On display on two tables in the centre of the hall was a large collection of the flora of Japan, courtesy of Mr Charles Jenner of Edinburgh, who was present at the opening. Also on display were many flora of Fife, dried seaweeds, numerous cases of butterflies, fossils, crystalized rocks, shells, buffalo and tiger skins, a gold nugget and carved models in parrot coal. A star attraction was a flip can used by Alexander Selkirk while exiled on the Island of Juan Fernandez. 

Mr Gilmour of Montrave had loaned many items from Canada including stuffed seals, beavers, lynx and badgers as well as woodwork and oil paintings. Messrs David Russell and Co. of Largo and Burntisland donated samples of Calcutta and Azof linseed, American and Egyptian cottonseed and wild Danubian rape seed, with cakes made from the same as well as bottles of oil in the crude and refined states. Mr Mark the jeweller of Glasgow gave a large collection of coins and medals. 
Mr Jeffrey of Largo House showed a fine Indian shawl, while Mrs Rintoul of Lahill offered an olive wood cabinet which had been made in Jerusalem. Pot plants from the gardens of Largo House tastefully decorated the hall. At this time the Society President was Henry Petheram and the joint-Secretaries were Charles Howie and Benjamin Philp.

The Museum's permanent collection was made accessible to school pupils and the general public. New donations were regularly received and it soon contained "magnificent specimens of nearly all the birds and beasts indigenous to the county". Charles Howie continued his detailed botanical studies and in 1889 published his book "The Moss Flora of Fife and Kinross". A sample of his dried moss specimens, including some from Largo Law is shown below. However, as Howie and many other Society members aged, what would the future hold for the Largo Field Naturalists and their Museum?  More to follow in the next post.
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Have you noticed the plaque (pictured above and below) on the wall of a house on Lower Largo's Main Street?  Do you know what this was placed there for? Read on to find out the answer (or take some time to think about it first before reading on). The plaque sits between between two upper windows and has recently been painted gold and black. Previously it had a more grey-brown appearance (see image further below).

The house in question is shown in the Canmore collection photograph above, taken in the 1970s. The plaque can just be seen between the centre and left upper windows. This is 38 Main Street, known as Crampie, but once named Berwick View. Crampie is also the name of one of the named large boulders on Largo beach. Below are other examples of the same type of plaque - with the same sun symbol but varying number sequences. Do you know what these are yet?

To fully answer the question, let's go all the way back to 1666 and the Great Fire of London. This catastrophic event triggered the establishment of insurance offices. The first one was called the 'Fire Office' and started in 1680. At the beginning, it provided money for the restoration or reconstruction of buildings damaged by fire. However, insurance companies soon realised that it was cheaper to prevent and extinguish fires than simply to pay the cost of reconstruction. Insurance companies began to employ their own fire brigades.

The insurers created ‘fire mark’ plates, such as the one in Lower Largo, in order to identify which houses were insured by each company. These were installed prominently on an exterior wall facing the street. This identification was particularly important before the introduction of street numbering but they also served to advertise the insurance company's services. Sometimes, insurance companies had reciprocal arrangements with each other, so that if a fire brigade put out a fire at a house insured by another company then the brigade’s company would be reimbursed.

​The fire plaque or plate provided instant visual proof that the household was insured against fire-risk, and guaranteed attendance by the insurance company's fire-fighters should the need arise. The illustration below depicts fire fighters from the Sun Fire Brigade circa 1800 with their rudimentary equipment. The newspaper clipping from the Fife Herald of 21 Oct 1824 gives an example of their brigade putting out a fire in Edinburgh.
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In August 1984 a Largo Heritage Week was held, involving a range of events and exhibitions. The above photograph was taken at a Scots Night held on the lawn at Cardy House. Around 140 people took part in this particular event which featured highland dancing displays organised by local dance teacher Ida Ballingall. Ida can be seen in the centre of the photograph with her accordion, a portable source of backing music for the dancers. Other musical contributions to the night included harp-accompanied singing by Christine St Clair, who was there with her mother and well-known sister Isla St Clair.

The 1st Largo Brownies also played a part in the evening, under the leadership of Brown Owl, Joy Spence (standing second from far right in the photo). The Brownies served tea and some of their recent handiwork was also on display at the event. Organiser of the event, Ivy Jardine, can be seen to the left of the highland dancers, wearing a white blouse and long tartan skirt. Her eldest son Allan is on the extreme right of the picture, holding bagpipes. He played the pipes daily during the heritage week, and rounded off the Scots Night, piping from the roof of Cardy House next to the flagpole, which was flying the saltire. Below is another image from the evening, as printed in the East Fife Mail, showing the dancers in action and Ida in the right foreground, playing the accordion. 

A heritage photographic exhibition took place in the Durham Hall, attracting many visitors, with the ladies of the Largo St David's Women's Guild providing refreshments. This exhibition included entries for the joint East Fife Mail and Largo Heritage competition. The newspaper photograph above from the East Fife Mail shows the competition prize winners. 
The winner of the first prize was Margaret Smart of Durham Crescent, for her image of a friend examining an old milestone (see below). Second prize went to Craig Roberts for his close-up photograph of freshly caught fish, while the under-12 category winner was Catherine Kidd who had snapped fishing nets. With the 200th anniversary of the Crusoe Hotel building coming up next year, then the 350th anniversary of the birth of Alexander Selkirk in 2026, could another heritage week be a possibility? 

On 14 July 1971, under the headline "Face-lift at Granary", the East Fife Mail reported on the restoration of the former salt girnel/granary/net store building at Cellar Brae. The photograph above shows the work underway, at the stage when the roof was being replaced but the sea wall had yet to be heightened. Below are a few images taken in the mid-1970s, just a few years after completion. The conversion into a "seaside cottage" was carried out for "Mr John Gilmour, elder son of the Conservative M.P. for East Fife, Sir John Gilmour, Bt". Then aged 26, Mr Gilmour and his wife first decided to restore the granary in 1969 when they "noticed that it was literally falling to pieces and decided that we had to preserve it".  

In explaining the former uses of the building, Mr Gilmour said "in the past the Cellar Brae granary has been put to a variety of uses. At first it was of course a place where local grain was stored before being shipped across the Forth to Leith but that trade died out over a hundred years ago." He continued "for many years it was used by local fishermen as a storehouse for their nets and lobster pots but at one time it even housed a joiner's business." It's interesting that the real original use of the building as a salt girnel had at this point apparently been forgotten.

The building in fact had mixed use for long periods of time. Note that local joiner Alec Tait had workshop space within the granary building from around 1920 into the 1960s, his father David Tait having had the workshop there before him from the early 1890s. This overlapped with use as a granary and then a net store. It was the building's affinity with the village's fishing industry that Mr Gilmour was keen to maintain. At the time of the newspaper piece he was contemplating a suitable name for the finished dwelling. "Perhaps we will call it the 'Net House'. I think that would be an appropriate name for the cottage".  And so it came to pass that the house was given that name, when the restoration work was completed in 1972 - the name which it still goes by today. 

In 1984 the building was given a category B listing, in recognition of its architectural and historical interest. A great example of a mid-eighteenth century structure in a local style and with a varied past use, its listing description is given as:
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2 storey, boulder rubble with large sandstone lintels to ground floor, and low buttresses to long sides. South elevation has arched door near centre with stugged ashlar dressings and deep flanking buttresses, 2 windows left and 3 right; 3 small, first floor windows, window over door, raised through eaves with catslide roof, large modern studio window with gabled head. Glazed doors in east gable. North elevation irregular fenestration, 6 ground and 4 1st floor window. Pantiled roof with slate easing course, skews and 2 stacks. Curved boulder rubble wall to south remains of west pier, probably 18th century, with steps down to water, and low bastion enclosing circle of setts at site of horsemill.

The image below shows the setts at the site of a horse mill between the building and the sea wall. The date of this feature is unclear but likely aligns to the years when the site was used as a granary.
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The photographs above show the west-facing gable end pre- and post-conversion. The high window suggests the earlier presence of a forestair to an entrance at the upper level. The extent of the heightening of the sea wall can also be seen in the post-restoration image.  The conversion to a private dwelling was carried out by Leven architect firm L.A. Rolland and Partners and the project won a Civic Trust heritage award. The design by David Pirie sought to maintain the original character and tradition of this imposing structure. 

Described as a "derelict stone bothy" which had been neglected for years, one specific requirement of the restoration was that the external walls were left unharled. Commenting in the 25 June 1975 East Fife Mail, Mr Rolland noted that "five years ago people didn't do nearly so much of this type of restoration but people are now more aware of the value of such properties". He continued "there is more of this work done in Fife than other places, not only because of conservation societies, but because there are some very nice buildings in this part of Fife". The restoration was certainly a great outcome for this significant Largo building.
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The previous post looked at the life of General James Durham (1754-1840) and noted that one of the changes he made to Largo House was the addition of a coat of arms on the tympanum above the central upper windows. 'Coat of arms' is the popular term for what is more accurately a 'full heraldic achievement'. This post attempts to 'read' the heraldic achievement displayed on Largo House and understand the significance of the various elements of it. The component parts of the full heraldic achievement, including the shield, supporters, crest, and mottoes, will be described. 

Heraldic visual designs have been used by families, places and organisations for centuries to symbolise their identity. The origins of such designs date back to medieval times when a warrior dressed in a full suit of armour including a helmet would have been entirely anonymous without some visible symbol to identify him. His shield provided a large flat surface upon which to display a pictorial means of identification. A family's arms can evolve through the generations to reflect lines of descent, adoption, alliance, etc. General Durham registered his own coat of arms in 1792 and it carried variations from the arms of his Durham predecessors. It must have been after the death of his father in 1808 that he had his own arms mounted on the frontage of Largo House. Below is an annotated image of it as it appears on the tympanum of Largo House (which being stonework does not reflect colour aspect of the arms).

Below is a representation (from a medal) of General Durham's father's coat of arms. Its shield bears only the Durham and Rutherford quarters. This medal, which was awarded to James Durham for archery around 1752, is held at St Andrews University Special Collections and can be viewed on-line in detail here. General Durham's younger brother Philip Charles Henderson Durham had his own coat of arms registered in 1818. The full heraldic achievement featured the same shield layout as his father's (i.e. the one on the medal below) but had different elements added that were more personal to him. More on that some other time. 

​Despite all the variations in the Durham arms over the centuries, it is the arms of General James Durham (1754-1840) that has been displayed in Largo for around two centuries and can still be seen (albeit obscured by trees) on the tympanum of the ruins of Largo House. As it is difficult to view the ruins today, here is a link to a short drone film over the Largo House ruins from the Vintage Lundin Links and Largo YouTube channel: https://youtu.be/IS6jlq8dPAc

Two centuries ago, a hoard of silver was discovered at Norrie's Law - a cairn on the northern edge of the farm of Bonnyton within the Largo estate, close to the boundary with Teasses estate. The find is now known to be one of the largest hoards of Pictish silver ever to be found and has been dated to 500-600 A.D.. Unfortunately, back in circa 1819 the unnamed person who unearthed the finds was an unscrupulous individual who, rather than report the find to the appropriate authorities, sold the silver to an intermediary allegedly named Forbes who sold the pieces on to silversmiths. The objects, reportedly including a full suit of scale-armour, a shield, a helmet and a sword handle were melted down and recycled by the purchasers. Thus important historical artefacts, and the knowledge that they could have unlocked, were forever lost. 

Word of the event eventually reached land owner General James Durham of Largo House. He had the site rechecked and further silver items were recovered, having escaped the notice of the original finder. Although General Durham had succeeded in preserving an important subset of the hoard, a mix of intact objects and hacksilver (fragments for recycling), he did not immediately share the news of his discovery. It was not until around two decades later that a man named George Buist brought the story into the public domain. Buist was a journalist and keen antiquarian. While researching sculptured stones, he heard of a stone recently rediscovered by General Durham (now known as the Largo Pictish Stone). While learning about the rediscovered stone at Largo House, Durham presumably told Buist about the silver.
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So with General Durham deceased and Buist in India (where, aside from a couple of brief return visits to Scotland, he would live out the rest of his life), investigations into the hoard were discontinued. The surviving silver remained in the possession of the Durham family. In 1856 Mrs Dundas Durham sent the relics to an exhibition of antiquities and in 1864 she gifted part of the collection to the National Museum of Antiquaries of Scotland in Edinburgh. The remainder of the silver was donated to the same museum in 1883, following her death.

For over a century the 170-piece silver collection was assumed to be one cohesive group of medieval artefacts. The additional items 'rescued' by Buist's efforts in 1838-39 were treated as a genuine part of the hoard. However, in recent years the objects and their origins have been re-examined as part of the Glenmorangie Research Project on Early Medieval Scotland. Project findings have thrown up a surprise and cast doubt over the authenticity of a couple of the key objects. The writings of George Buist have played a key part in unravelling the truth.

The Picts were an ancient people who lived in what is now eastern and north-eastern Scotland from Caithness to Fife from around the 3rd to the 10th century. Much of what we know about them has been deduced from the Pictish stones that survived from that era. Above is a plate from John Stuart's 1856 publication 'Sculptured Stones of Scotland' - a seminal work that sparked great interest in Scotland's Pictish stones. The image was created at the firm of Keith & Gibb, Royal Lithographers and Engravers. It shows in detail the symbols carved into the Pictish stone which is now much deteriorated and resides in a shelter to the right as you enter Largo Kirk churchyard through its west gateway.

Sometimes referred to as the 'Largo Cross' or the 'Largo Stone', the upright cross-slab of red sandstone is shaped to a rectangle with a rounded top. It is carved in relief on both sides. On one side is a ringed cross that fills the full dimensions of the slab. The head of the cross is equal-armed with rectangular terminals. The shaft of the cross is set into a rectangular base. To the right of the shaft is a pair of entwined sea-horses and to the left is a large human figure. Indistinct traces remain of ornamentation on the ring and of a flat circular boss at the intersection. The cross arms once had an interlaced pattern and a spiral or interlaced design once covered the shaft.

The opposite face depicts a hunting scene in the upper half, with three horsemen and at least two hounds, all facing to the left. There are traces of some creature behind the lower rider. In front of the two lower riders is a double disc and Z-rod symbol set vertically. Below all of that is a Pictish beast facing left and further below a deer looking back at another deer. Below are two alternative illustrations of the stone, which measures 6 feet 6 inches by 2 feet 6 inches and is 5 ½ inches thick. The upper one, in sepia, is from an 1840 book by J.M. Leighton called 'History of the County of Fife. The lower illustration is from 'Early Christian Monuments of Scotland' by J.R. Allen and J. Anderson (1903).

The timing of the stones return to Largo (at its new site at the Kirk) is a little unclear. Historic Environment Scotland states that "by 1933 it had been taken back to Largo" however a 1938 map shows it still in the grounds of Polton House. The latter could however be an error, given that the 1938 map series has a footnote stating that these were "surveyed by rapid methods as an emergency measure". Perhaps an assumption was made the the stone was still there. After all it would have been a rare occurrence for Pictish stone to be moved. Further investigation shows that the 1933 date relates to a report published that year - 'The Royal Commission on Ancient and Historic Monuments and Constructions in Scotland Eleventh Report'. Within that it states that the stone at Largo was actually visited in August 1925, when it had apparently "recently been returned".

Pictish stones are classified into three groups. Class I stones are the simplest and oldest, with symbols cut into the stone. These date to the 6th, 7th and 8th centuries and do not include Celtic crosses.  Class II stones have both Pictish symbols and Celtic ornamentation. These 8th and 9th century stones are dressed, so that the imagery stands out in relief. Class III stones also date to the 8th and 9th centuries but have none of the original types of Pictish symbols. These are typically decorated with crosses and scenes involving people and animals.

The stone at Largo is a Class II stone and is a complex blend of a cross, a hunting scene and some of the earlier Pictish symbols such as the pictish beast and the double disc and Z-rod symbol. It is a cross-slab rather than a free-standing cross and incorporates both Christian and pre-Christian symbolism. After a millennium and having been uprooted from its standing place more than once, Largo's Pictish stone understandably looks a little worse for wear now. Yet it is worth a visit to see this remarkable piece of history in its roofed and grilled enclosure at Largo Kirk.

On 14th July 1760 the British were victorious over the French in the Battle of Emsdorf, which is depicted in the above painting. This battle took place during the Seven Years' War (1756-1763) - a struggle for world supremacy between Great Britain and France which is considered to be the first global conflict in history. At Emsdorf, the newly raised British 15th Light Dragoons, along with six battalions of Hanoverian and Hessian infantry and some irregular cavalry fought against the French side (which were five battalions of the Royal Bavière and the Anhalt regiments, German mercenaries, and a regiment of hussars recruited from Hungary). The two forces were roughly the same size at around 3,000 men. The British and Hanoverians wore red. 

Part of a campaign to disrupt the French line of communications, this particular battle's objective was to capture Marburg to the west of Emsdorf (a village in Hessen, Germany, north of Frankfurt) where a French supply depot was situated. The French force were settling down to lunch when the British alliance surprised them. The Anglo-Hanoverians ultimately captured over 1650 prisoners, mostly due to several charges by the British 15th Light Dragoons into the retreating French force. A map of the battle is shown below. 
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The fledgling regiment's victory at Emsdorf caused a sensation back in Britain. They were awarded the first ever Battle Honour (the right to emblazon the name of a battle or operation on flags, uniforms or other accessories), thus beginning a system that continues to this day. The 15th Light Dragoons began to wear the words “At Emsdorf” on their light dragoon helmets (see image below) and, as a result of this victory, the regiment acquired the new nickname of “The Fighting Fifteenth”.
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​William Erskine (pictured below) was knighted for his performance in Emsdorf by King George III. Nicknamed "Woolly" Erskine, he went on to be posted to America and spent three years participating in the American War of Independence. He later saw action in the wars of the French Revolution. The Erskine Baronetcy, of Torrie in Fife, was created in the Baronetage of Great Britain on 28 July 1791 for William. In 1793 the baronies of Torrie and Lundin were entailed by Sir William Erskine. When he died on 19 March 1795, he was succeeded by his eldest son William.

So by the beginning of the 1800s, General Sir William Erskine, second baronet of Torrie (1770-1813) was proprietor of the Lundin estate. With the death of his father was still relatively recent, when it came to forming plans for the development of a new village to the south of Lundin Mill, he decided to name it Emsdorf after his father's famous victory. The brief entry (no. 6334) in the Sasines of 1802, shown below, is the earliest reference to the name 'Emsdorf' within the Largo Parish. It records James Crawford as the first to take possession of a feu in the newly established village on charter by Sir William Erskine of Lundin. 

From then, further feus were taken up and Emdorf grew into the village seen on the 1854 map below. Many of the early residents of the village were linen hand loom weavers. At the time of the first census in 1841 there was a concentration of weavers in the streets of Emsdorf. The sound of the shuttle would have emanated from many of these houses, as a local nonagenarian commented in 1931.

The younger Sir William Erskine, the second Baronet, died in 1813. The title and estates passed first to his brother James, until his death in 1825 and then to youngest brother John, fourth baronet, who lived until 1836. The Baronet of Torrie title became extinct upon his death. The property of Sir John Erskine of Torrie then passed to the son of his late sister, Frances Erskine (1773-1798). This was Rear-Admiral James Erskine Wemyss of Wemyss (1789-1854), whose maternal grandfather was Sir William Erskine of Battle of Emsdorf fame. James Erskine Wemyss sold the Lundin Estate to the Standard Life Assurance Company in 1852, shortly before his death (see notice from 27 May 1852 Fife Herald below).
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Although Emsdorf no longer exists as a village, the street names of Emsdorf Street, Emsdorf Road and Emsdorf Crescent survive to this day within Lundin Links. The unusual name often prompts questions. Although like several other streets and settlements around the country the name recalls a long-ago battle fought in a foreign land (other examples being Waterloo, Trafalgar and Maida), the full story of Sir William Erskine and his role in this battle remains relatively unknown. 
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The Ainslie map of 1775 shown above shows a place by the name of Hunger Himout to the north of Lundin Mill, where Little Pilmuir is now. This lost place name means 'starve him or them out' and has variations including Hunger-em-out. It's the latter that is used in the 24 November 1836 Fife Herald piece below about a pair of men who lived there at the time who were charged with assault. This article states that Hunger-em-out is Hattonlaw but the name does seem to have applied to whole area encompassing Hattonlaw and Little Pilmuir.

The unusual name does appear elsewhere in Fife and further afield within Scotland, including Orkney and Lanarkshire. Another example close by is Hunger emout in the Parish of Kettle shown on the 1775 map too (see further below). The book 'The Place-Names of Fife' by Simon Taylor (2008) explains that this was a "humorously self-deprecating name" which "refers either to poverty of the land or to the fact that it was not big enough to support its inhabitants". The name belongs to a well-defined genre of early modern Scots place names containing a verbal construction. Not dissimilar is the English market town name of Hungerford, which is derived from a Saxon name meaning "ford leading to poor land".
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Another reference to the term can be found in the 11 August 1858 North British Agriculturist below. This refers to "the hunger-him-out system of farming" which, in the case described, had reduced the land to worthless remains (caput mortuum in Latin). The suggestion seems to be that the land was depleted due to overuse and that soil fertility was not properly maintained. So perhaps at some point in history areas with this name had been exhausted by over use. Whatever the origins of the name in the Largo case, the Brown family certainly proved that the land could be made productive and that a good living could be made from it.

It is ironic that Largo's 'Hunger-em-out' was where the Brown family had their market garden for many decades. Jimmie Brown was a life-long market gardener, like his father before him and brought produce from Hatton Law to Lundin Links for decades. Before occupying the newly-built shop at the west end of Emsdorf Street from 1903, he sold his produce in the open air at Emsdorf Road. Esther Menzies recalls this as follows: "In the summer time, in a small clearing in the front of the trees, Jimmie Brown set up his hut and sold fruit and vegetables...[which were] green and crisp and were sold in fresh cabbage leaves instead of bags." After Jimmie died in 1943, while walking the road to Hunger-em-out, his niece Alice Brown continued to run the fruit and florist shop (see image at the foot of this post). 

Had you heard the name Hunger-em-out? How old do you think this name might be? When did it go out of use? Any thoughts on this interesting name welcome!
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