VINTAGE LUNDIN LINKS AND LARGO
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Clarewood - ML 46

26/1/2023

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The photograph above shows the Railway Inn on the left and part of the viaduct on the right. In the foreground, next to a bend in the Keil Burn, is a fishing boat. This is the Clarewood, with the Methil registration ML 46. One of the smaller "second-class" boats, the Clarewood was 3.4 tons and just over 25 feet in length. The vessel had both a sail and a motor and was built in 1920 at Anstruther. The owners were brothers James and David Lawrie and David Melville.

James and David were both sons of well-known and long-lived Largo fisherman Thomas Lawrie and his wife Isabella Clunie. James Lawrie was born in 1878 and David in 1892. At the time of the 1921 census, shortly after procuring the Clarewood, James Lawrie was aged 42 and living in Downfield with his wife Davina (nee Hutton) and a cousin. At this point in time, Downfield contained seven households within the one building and was home to 23 people. Younger brother David Lawrie was aged 28 and lived at Bower House (now 90 Main Street, pictured below) with his wife Janet (nee Baillie). Bower House contained three households, with a total of twelve individuals. In another part of Bower House lived David Melville, aged 29. He lived with his mother Sophia, whose mother had been a Lawrie before marriage.
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The Clarewood remained in Largo ownership until 1937, when it transferred to George Simpson and Robert Melville and became Anstruther-based (until 1939 when she was sold to Grangemouth). David Lawrie had died in January 1936 aged just 43 years, by which time he was described as a grocer rather than a fisherman.  James Lawrie died in 1967, aged 89. David Melville died in 1976 aged 84.

The Clarewood appears below in a sketch dated 8 September 1929 with many points of interest in the background. To the right is the landward end of the Crusoe Hotel. In 1929, the hotel was owned by Robert Dick. The open door between the external staircase and the cart shed door was a tearoom at the time but would become a hairdresser in the 1930s. The Railway Inn is in the centre of the image, with the road bridge to the left. Behind the Railway Inn is the burnt-out and roofless shell of the Belmont Temperance Hotel. It had been gutted by fire in January 1926 and stood in a ruinous state for a long time afterwards. At the top of the drawing is Largo Railway Station. Clarewood appears again in the 1930s photograph by Wylie further below, resting in front of the disused Largo Mill.
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Pier Picture Challenge

2/12/2022

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Take a look at the three postcard images below. What do you notice?

Which features are common across the three and which are different?

Scroll below the photographs to learn more...

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The first and oldest image is the one marked 'Cowie, Upper Largo and Lundin Links' in the lower right corner. This relates to Peter Cowie, the chemist and dates the postcard to circa 1905. It shows the Crusoe Hotel with its original roof style prior to the 1911 fire which resulted in extensive repair work including the creation of a new flat roof. This flat roof is evident in the second postcard scene. But close inspection of the second postcard, entitled 'Largo from Lundin Pier', shows that many elements of its scene are exactly the same as the first postcard - including the fishing boat tied up at the pier with the tall masts to the left of the hotel, the old footbridge in front of the viaduct, the people standing on the end of the pier and the two boats either side of them. 

The fishing boat rounding the pier end is KY 56, which is Fisher Lass. This was not a Largo boat but belonged to Andrew Taylor of Buckhaven. So striking was the image of Fisher Lass, that it was reused again in the third postcard scene. This final image dates to a time after the roof of the Crusoe Hotel had changed once again. The flat roof proved to be leaky and so a pitched roof replaced it in the mid 1930s. In this image you can also see the road bridge over the Keil burn. 

All the photographs were taken for Valentines of Dundee - the printing company that became Scotland's largest manufacturer of picture postcards. Valentines hired a team of photographers to travel the country capturing local views for postcards, which would then be sold directly to local newsagents, Post Offices and other businesses, such as Cowie the chemist. A team of travelling salespeople used catalogues to promote the images to every town and village. But, of course, local scenes did not remain unchanged over time. The addition of a new building, for example, would require a photographer to be dispatched to take new photos. Sometimes a new image would not be as appealing as the one it was replacing and so an amalgamation was created in an early form of image editing. 

You can see by careful studying of the pair of cropped images below, that the rowing boat and buildings to the right are the same, as is the railway bridge and the Belmont Hotel building beyond the roof of the Crusoe Hotel. However, the Crusoe Hotel with its new flat roof has been added to the version on the right-hand side. Some retouching has had to be done immediately above the flat roof to fill in the gaps left by the removal of the former chimney stacks. Some rework has also been done to the pier to disguise the join on this composite image.
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When the appearance of the landmark hotel changed once again in the 1930s, another new photograph was required for the Valentine's postcard catalogue. The image captured in the third postcard was perhaps deemed to be lacking in interest. In an attempt to romanticise the view, the pre-existing image of Fisher Lass was cropped and super-imposed, this time over the end of the pier. The addition of a fishing boat with billowing sail must have been appealing to the tourists, even though by this time such vessels were no longer seen at Largo.

At one time Valentines had a stock of over 30,000 images. Often the same view was used for many years. Artists were employed to make some images more saleable. Scenes might be hand-tinted, snow might be added to make a wintry view, clouds might be painted onto a featureless sky and so on. Unattractive features might be removed and (as in this case) striking features might be added to a mundane scene. And so, Fisher Lass appeared to continue to sail long after the actual vessel had ceased to exist.

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With thanks to John Downie for pointing out the anomaly of the Fisher Lass appearing in a 1930s image.
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The Two Sultans - KY 240 and KY 1427

25/11/2022

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Central to the image above, with sail at half-mast, is KY 240 - Sultan. Owned by Thomas Lawrie (1853-1951), and 43 feet in length, mariners' almanacs show that KY 240 was active at least between 1887 and 1901. The photograph dates to before the 1894 construction of the footbridge over the railway line. The original Largo Station building can be seen in its elevated position in the background. There are several other boats in the harbour. The only other legible registration is KY 1837 - the middle of the three smaller boats to the left of the Sultan. This small boat is the Wilhelmina, belonging to David Ballingall. A wider-view photograph of this scene is shown below. Note the three smartly dressed gents standing at Cellar Braes close to the Net House (long before the construction of its raised sea wall). You can see how easy it would be to stumble into the water from here, particularly in the hours of darkness. Such an accident happened in 1935 to a Mr McNeil. He was visiting from Edinburgh and mistook the lights at Methil docks for the way back to his lodgings at Drummochy and fell over the edge onto the rocks below (while the tide was out). 

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KY 240 was not the only 'Sultan' to be based at Largo. The 1887 register shows both KY 240 and another Sultan with the registration KY 1427. The latter vessel, which likely predates KY 240, was owned by Alexander Gillies (1823-1898). He was a lifelong fisherman (and son of another fisherman, David Gillies). His mother was a Selcraig and so he was linked to Alexander Selkirk of Robinson Crusoe fame. The photograph below shows Alexander's Sultan in a scene dating to the 1880s. KY 1427 was out of register in 1888 and it appears to have been sold on and re-registered as A 503 on the Aberdeen register. Later this vessel was sold to a Stonehaven-based fisherman before finally being broken up in 1902. 

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The KY 1427 Sultan featured in an artwork by landscape artist James Heron, allowing us to see how she looked in colour. Born in Edinburgh in 1847, Heron was actively painting by the early 1870s and his work often depicted fishing boats and harbours, as well as many other landscapes around Scotland and overseas. Heron exhibited at both the Glasgow Institute and the Royal Scottish Academy. The watercolour below is entitled 'Largo Pier' and is dated 1885.

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The name 'Sultan' was given to quite a number of vessels around the country over the decades - perhaps chosen because of its association with strength and power. Could the building of Largo's original Sultan have coincided with a news story of the time, such as the 1867 visit to the UK of the Ottoman Sultan or his subsequent death in 1876? There was famously a 'Turkish Fleet' of paddler steamers on the Clyde in the 1860s named the Sultan, Sultana and Viceroy. The name certainly seems to have been fashionable at the time. Repetition of local boat names was not uncommon. Could the newer Sultan have been viewed as a successor to the original? Was owner of the later Sultan, ​Thomas Lawrie (pictured below), a crew member on the original Sultan? If you know more about these two Largo fishing vessels and their owners, please leave a comment.
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Jane - KY 940

21/10/2022

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Can you spot the boat hiding in the photograph above?  The image features the oldest of the buildings of Largo's former mill complex by the viaduct. The building with the brick chimney housed the gasworks, forge and cooperage. If you look closely at the trees on the left-hand side, obscured by foliage is the line fishing boat Jane, with its registration 940 KY just visible. For a short time, registrations of 2nd class boats such as this one were displayed with the port of registration after the number. The Jane belonged to William Ballingall who had a daughter named Jane born in 1869.

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William Ballingall was born in Largo in 1847. He was already described as a fisherman in the census of 1861, aged fourteen years old, while living at the Temple. On 6 October 1867 he married Isabella Gillies, with Reverend David Malloch officiating. William was a fisherman and the fathers of both he and Isabella, John Ballingall and Alexander Gillies, were both also fishermen. Their daughter Jane was born in 1869, followed in 1873 by Margaret (who died aged 14 months), Annie in 1877 and Isabella in 1880 (who died aged ten months).

In June 1882, the couple had a son, John, however later the same year, Isabella died of tuberculosis, leaving William with three young children. Sadly, in 1883, aged just ten months, baby John died too. William was remarried in 1888 to Eliza Tivendale in Edinburgh. She was the daughter of Lundin Mill shoemaker Alexander Tivendale. The couple went on to have two sons, Alexander and William.


The fishing boat Jane appears on 'The Scottish Fishermen's Nautical Almanac and Tide Tables for 1889' but is absent from the 1901 edition. Willam did however have another vessel listed in the 1901 almanac, named the Tidy (KY 1830). Tidy was smaller than the Jane and may have been the boat in use when WIlliam, along with John Ballingall and John Gillies discovered a wrecked fishing boat in 1896. It was 24 February that year when a drowning accident took place in Largo Bay. The 28 February East of Fife Record below reported on how three Largo men (half-brothers David and Thomas Melville and David's brother-in-law Thomas Ballingall) had been line fishing in calm sea conditions in a 16-feet boat when tragedy had occurred.

William and John Ballingall who discovered the upset boat were cousins of Thomas Ballingall. They along with John Gillies had to provide evidence at the subsequent inquiry into drowning. William and his brother John had been fishing in Largo Bay on the day in question. Several boats were out including the one with the three men that lost their lives. William had observed them shooting their lines but later on his crew noticed a wrecked fishing boat and approached it. They drew in the mast and found the body of one of the men entangled in the ropes. The other two were missing. There was very little wind on the day and the witnesses could not account for the reason behind the accident.

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William was still described as a Line Fisherman in the 1901 census and was living with Eliza and their two sons. ​Eliza died on 2 March 1911 and in the census of later the same year, William was a widower living on Lower Largo's Main Street (opposite the Crusoe Statue) with two sons, aged 19 and 14. Both William and his elder son were recorded as line fishermen. William died on 27 December 1923 aged 76, at his home on Main Street, Lower Largo. It seems likely that earlier in his life, William may have been among the crew members of one of the larger deep-sea fishing vessels, such as David Ballingall's Forget-Me-Not, which was crewed by family members with the surnames Ballingall, Gillies, Melville, Watson, Hutton and Wishart.
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Largo Bay - KY 376

13/10/2022

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The vessel in the image above is the Largo Bay, registration number KY 376. This 51-feet long fishing boat was built for George Wood and Alexander Simpson of Largo in 1885 at James Miller's boatyard in St Monans. Below is the report of her launch, from the 1 January 1886 East of Fife Record. The other boat referred to in the newspaper piece, which Mr Miller had on order from two other Largo fishermen, was the 55-feet Jane and Minnie (KY 400). George Wood had previously had another fishing boat named Welcome which was 44-feet in length but he sold this shortly after taking delivery of the Largo Bay (see advert further below from the Kirkcaldy Times of 5 May 1886).
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George Wood was born in Largo in 1850, the son of tailor Robert Wood and his wife Janet Ritchie. He married Ann Simpson (who was a net worker) in 1872. She was the daughter of fisherman James Simpson and his wife Hannah Lawrie and was the sister of Alexander Simpson (born 1855). So, co-owners of the Largo Bay, George Wood and Alexander Simpson, were brothers-in-law. 

The extract below from 'The Scottish Fishermen's Nautical Almanac and Tide Tables for 1889', includes Largo Bay within the list of fourteen Largo-based fishing boats. Five of those boats were "2nd class boats" meaning that they were smaller in size. These shorter boats were used for line fishing, as opposed to deep sea fishing. Note that George Wood has a small boat named Welcome, the same name as the larger vessel that he had sold in 1886. Among the large vessels are the Ocean Bride, Chance, Jane and Minnie, Osprey, Fortunatus and Forget-me-not. 

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In 1891 George Wood, his wife and four children were living at what is now 34 Main Street, Lower Largo at the 1891 census. Meanwhile Alexander Simpson was also in Lower Largo with wife Helen (who we had married in 1875) and six children. By 1895 nine boats, including Largo Bay, were listed in the Nautical Almanac (see above). However, the size of Largo's fishing fleet was set to reduce and, by 1902, only the Ocean Bride would remain.

The 26-ton Largo Bay went to Aberdeen in 1898 and was re-registered as A 869. Ultimately, in 1907 she was broken up. Wood and SImpson continued to fish but on a different scale. At the time of the 1901 census, Alexander Simpson, living at Kincraig View on Main Street was described as a 'salmon fisherman' rather than a 'fisherman'.  George Wood's occupation had altered from 'fisherman' to 'line fisherman'. His 14-year-old son George was working as a grocer's message boy (likely for John Nicoll whose grocer shop was just two doors along). The 1901 issue of the Nautical Almanac (below) lists five large Largo vessels and ten line fishing boats. Neither Wood not Simpson were among the owners.

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George Wood had a complete change in occupation in 1906, when he was appointed to the position of 'chaplain, caretaker and gardener' at Wood's Hospital (see note below from the 7 December East of Fife Record). The 1911 census finds George, Ann and two of their children, living in the caretaker's quarters at Wood's Hospital. This census also reveals that the couple had had ten children but that only five were living at that time.

Meanwhile Alexander Simpson continued working as a line fisherman. His wife Helen died in 1903. On 6 October 1905, he remarried. The bride was fisherman's daughter Margaret Laurie Melville. Interestingly on the very same day, also in Largo, the daughter of George Wood, Catherine was married - to fisherman Thomas Gillies (son of Robert Gillies one of the twin brothers who owned the Ocean Bride who themselves were related to Alexander Selkirk, of Robinson Crusoe fame). This provides an insight into just how tight-knit and interconnected the fishing community was.

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Alexander Simpson died in 1928 aged 72 at Sunnyside, Lower Largo. George Wood lived to the age of 89, passing away in 1940 at Horne's Buildings. In 1932 his wife, Ann Simpson Wood had died at Wood's Hospital. Wood and Simpson had lived through the transitional period when Largo's links with the large-scale, long distance fishing trips died out and smaller scale line fishing and salmon fishing offered an alternative for those that chose to continue to earn a living from the sea.
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John Ballingall (1859-1919)

7/10/2022

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The previous post covered the life of Largo-born Alexander Ballingall, who spent most of his working life as an acclaimed artist in Edinburgh. Alexander and his elder brother engraver William Ballingall were well-known for their artistic accomplishments. However, these were not the only creative members of the family. John Ballingall their younger brother was also an accomplished painter, although art was not his main occupation. John worked in Largo as a cork cutter. The above artwork entitled "Entering Port" is an example of his work. It features Largo Harbour and Pier and several fishing boats. Like his brother Alexander, John frequently opted to portray marine and fishing scenes.

John was born in 1859, the ninth of the ten children of weaver and amateur astronomer William Ballingall senior and his wife Jane (Jean) Wilson. While the majority of his siblings moved away to Edinburgh for work, John remained in Lower Largo. At the time of the 1881 census, John was a journeyman cork cutter (perhaps having learned the trade from one of the other local cork cutters in Largo such as Edward Johnston or John Edmonson Miller) and the only of the siblings living at home with his parents. As a cork cutter, he likely had close ties with both the fishing community and the net factory.

In 1883, John married Annie McIntosh in Edinburgh and she joined him in Largo. The first of their eight children, William, was born the following year but he sadly died aged just two and a half. By the time of the 1891 census, there were four children in the household and John's occupation was described as 'cork manufacturer'. At this time, the family were living in part of Goodsir House. 
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Although John had probably always painted, it was during the 1890s that John's artwork received more attention. Several of his known paintings date to this decade - for example the work "Sailing Boats at Moonrise" above is clearly dated 1894.
It was also in 1894 that John featured in the newspapers when a message in a bottle he had set off on the sea at Largo on 22 November 1893 washed up five weeks later in Norway. Mid-November 1893 had brought the worst storms for many a year to the east coast and loss of life had been great (well over 200 persons). John had reflected upon the disaster with his young sons and had decided to send off a letter, along with his card and instructions for the finder. He was also moved to offer a watercolour painting with proceeds donated to the Lifeboat Institution, who had saved many lives during the storm. Full details are below, from the 20 January 1894 St Andrews Citizen. Note that the bottle has been corked and wrapped in cork. 
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John's role as an artist must have flourished, as the notice below from the 7 January 1897 Leven Advertiser below tells of the exciting news that he had moved to "new and commodious premises opposite the U.P. Church" where there was a large exhibition room for his oil and water-colour paintings. This premises was at Forthview Place in the part which would later become the Leven Reform Co-operative Society shop. In 1898 he also had a seascape displayed at the Royal Scottish Academy in Edinburgh.

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However, on 25 August 1899, John was admitted to the Fife and Kinross District Asylum in Springfield with melancholia. This was the first bout of an illness from which he would never recover. At the time of the 1901 census, John was still a patient there. His wife and seven children were still living at Forthview along with a lodger but in 1902 the house and shop were sold to David Watson and shortly afterwards the Leven Reform Co-operative Society took up the shop lease. John was still in the same asylum in 1911, while Annie had relocated to Bridge House in Lundin Links and was working as a boarding house keeper. John died in Springfield at the asylum in 1919. His death notice is below, stating that the funeral party would arrive at Largo crossroads at 2 o'clock. Annie died in 1929. If you know more about John Ballingall or have further images of his work, please get in touch. Another of his seascapes, "Fishing Boats by Moonlight", is shown below.
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Alexander Ballingall 1847-1913

30/9/2022

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The fascinating painting above, entitled Home from the North Sea, is the work of Alexander Ballingall , the Largo-born painter and brother of engraver William Ballingall. This piece depicts the return home of the Largo fishing fleet in the 1890s. The registration of the boat with the most prominent sail is KY 478 - Annie Johnston. This fishing craft was built in 1880 in Anstruther but spent several years in Montrose before being bought by Largo's David Gillies in 1889. Annie Johnston was part of Largo's fleet for over a decade before being sold to Shetland in 1901. The colourful scene is a welcome contrast to the usual black and white images of fishing vessels from this era. The reddish-brown colour of the sails is the result of the white fabric being treated (or barked) with tar to make them more weather-proof. 

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Multiple boats from Largo would tend to leave in groups for a lengthy trip. Some trips might head up further north, off Aberdeen or Shetland, or perhaps south to fishing grounds around Yarmouth depending upon the time of year. Children would often be allowed time out of school to see their fathers off. Ships' biscuits would be given out before the boats sailed away. Eventually, word would be sent home of their planned return, so that families could watch with anticipation for their safe arrival back home.

The kind of scene depicted in the painting, with a crowded pier, would have once been a frequent one, where wives and children greeted the fishermen with joy and relief. Note the man in the foreground presenting his daughter with the gift of a doll. Her mother, who is dressed in traditional fishwife clothes looks on with affection. Gifts brought back from far afield trips would be the main presents given in the year.

Other men, perhaps unmarried, busy themselves sorting and unloading their gear. Some of these nets and other gear may well have been taken over to the other side of the Keil to be dried and stored in and around the Net House. Back home, the washing of the men's clothes would take several days. Six boats feature in this painting. Given the date of late 1890s, other vessels may have included the Forget-Me-Not, Sultan, Ocean Bride, Osprey and Jane and Minnie. Alexander Ballingall painted many scenes around Largo pier, harbour and coast but also depicted other locations. Below is an 1881 painting by Alexander named Troubled Waters, Stonehaven which illustrates a winter herring trip, with stormy waves crashing around the harbour.

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Alexander Ballingall was born in Largo in 1847, son of weaver William Ballingall and his wife Jean Wilson. One of several brothers and two sisters, like many of his siblings Alexander had a creative streak. While at the age of 14 he was working as a weaver like his father, he was destined to follow more in the footsteps of his elder brother, William the artist and engraver. By the time of the 1871 census, in his early twenties, Alexander was living in Edinburgh with his brother and his family and both brothers were working as engravers. They were based at Cockburn Street, just off the Royal Mile. Over the years, Alexander seems to have progressed more into painting than engraving and in 1879 he exhibited at Kirkcaldy Fine Art Exhibition with a painting entitled "Newhaven Harbour".

In 1881 he first exhibited at the Royal Scottish Academy. In the census that year Alexander was described as a 'landscape painter', still based in Edinburgh but now in Newington. ​The 9 March Dundee Advertiser described his 1886 work at the RSA as "always forcible and thorough in his sketches of sea-faring life". By 1891, he was married to silversmith's daughter Marion Wilson and living at 99 Montgomery Street off Leith Walk, now described as 'Artist - marine and figure'. The same year his RSA exhibits were, according to the Midlothian Journal of 17 April, "three crisp, clever realistic sea-scapes". One of those is the work shown above entitled Now then lads! All together. The newspaper noted the "caller seaside breeziness" and "the anatomy of the pullers...carefully studied, and sea, and rocks, and sky are as usual well done."
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In contrast to the painting at the top of the post depicting the fishermen's return from sea, the artwork above is entitled Getting Underweigh. This shows the fishing fleet setting off on calm seas and dates to 1902. By this time Alexander's wife had died (in 1898 from tuberculosis). The 1901 census had noted him as 'Artist - marine and landscape'. His works did include overseas landscapes, including Venice, as well as many Scottish coastal scenes, including such locations as Buckhaven, Pittenweem, Dunbar and Greenock. By 1911, now aged 64, Alexander was still living off Leith Walk and was slightly differently described as 'Artist (marine and architectural)'. 

Alexander died on 30 November 1913, at the age of 67 at Bangour Village Hospital in West Lothian. He
 was buried at Upper Largo cemetery with parents, William Ballingall (a keen amateur astronomer) and Jean Wilson. The gravestone, although now in poor repair, has many interesting features, including a globe (now displaced), a shining star, a moon, a coastal setting sun, a sand timer and a sun dial. This unusual and eye-catching memorial is fitting for such a creative family many of whom keenly observed the world around them, and beyond.
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Cellar Braes

11/8/2022

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Cellar Brae or Cellar Braes is the promontory to the west of Lower Largo Harbour. The map above, which is dated 1843, is one of the few to clearly name the area. Below is a comparison of that map with a recent aerial view of the site. The general layout and many of the buildings remain the same, although some buildings have been lost. The large building closest to the sea has survived and is one of Largo's oldest. Now known as The Net House, pictured further below, this building began life as a salt girnel (store-house) for the adjacent salt works at Drummochy. Dating back to the 1740s, the girnel was a secure building where salt was drained and stored - an essential component of any salt works. Salt was an extremely valuable commodity at this time and a good quality, robust building was needed for secure storage. So, it is thanks to the original function and importance of the building that it has been able to stand the test of time.

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With the decline of the salt industry locally in the late 18th century, the building's function had to evolve. For a time, it was used as a granary (separate from the granary on the other side of the harbour, now part of the Crusoe Hotel). The 1932 Largo Village Book states that historically "grain was stored for shipping" at Cellar Braes. However, by the late 19th century, and for many decades, the building and surrounding ground was used to store fishing gear and to dry nets (hence the building's present name of The Net House). There are a few images below that feature nets hung out to dry all around the area.

In the late 19th and early 20th centuries, salmon stake nets ran out to sea in front of the Net House (see image below). Throughout that time, valuation rolls show that the Cellar building and Lundin Salmon Fishings were owned by Lundin Estate. These facilities were tenanted initially by Andrew Greig Anderson, Edinburgh fishmonger, in the late 19th century and then by  Joseph Johnston and Sons Limited of Montrose (a long-established salmon fishing business with interests the length of the east coast) in the early decades of the 20th century.
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By the mid-1930s, Cellar Braes began to change into more of a recreational space. The Largo Parish Community Council rented the area and organised for benches and a shelter to be put in place for the comfort of those enjoying the views across the harbour. The old path which used to run around the seaward side of the Net House was re-routed to the landward side of the building.  The old path route with its unguarded sea wall was not without its risks, as the ​9 April 1935 Leven Advertiser piece below demonstrates. The man who fell over the edge onto the rocks was staying at 'Westhaven' - a house opposite Cellar Brae (see map further below). In the early 1970s, the now semi-derelict net house building was restored and converted into a private dwelling. The sea wall was heightened for safety.
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As well as being the site of private homes, the Cellar Braes of today continues to offer benches, views and space to relax. The former shelter (seen on map and image above) is long gone but a patch of concrete indicates where this once was.  This multi-functional corner of the village has a rich history. Featured in artworks and offering a fine viewing space for events at the harbour, it continues to be a characterful part of the Largo landscape.

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Chance - KY 21

20/7/2022

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Pictured above (circa 1890) is the fishing boat Chance - registration KY 21, which was owned by Andrew Bisset. Andrew was born in 1854 to weaver John Bisset and his wife Paterson Reedie (a former flax spinner). In 1871, a teenage Andrew was working as a linen weaver, like his father and so many other people of all ages in the parish at the time. However, handloom weaving was on the wane, and, by the 1881 census, both Andrew and his younger brother John had become fishermen. [In later years, Andrew's brother, John Bisset, went on to own Downfield and manage the colliery at Teasses.]

One of the regular trips for Largo fishermen in the 1870s and 1880s was Stonehaven (see 30 July 1879 Courier example below). And this was where Andrew met his wife Eleanor (Helen) Taylor. The pair married on 30 December 1882 at St James Episcopal Church in Stonehaven. Andrew was aged 27 and Helen was 24. On the marriage registration form, Andrew was described as a 'white fisher' and Eleanor as a "fish cleaner". Both the bride and groom's fathers were also described as white fishers.

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In the 1881 census many women in Stonehaven had an occupation of fish cleaner, fish worker or similar, including Helen and her two sisters. These 'herring lassies' (pictured below) had an important role in the fishing community. Once caught, fish had to be quickly gutted and packed. Some women travelled from port to port, while others stayed at their home harbour. They famously wrapped their fingers in bandages or 'cloots' (often made from flour bags) as protection against cuts from the gutting knife.
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Through the fishing season, the hard physical work would be punctuated with social gatherings. Many herring lasses met their future husbands at such events. And for some it would result in relocation to the home town or village of the visiting fisherman. Helen would live out the rest of her life in Largo. By 1891, the couple had four children and were living on Main Street Lower Largo. Perhaps it was around this time that Andrew was able to purchase his own boat. In all Andrew and Helen would have eight children, although two died very young. They were Janet (born 1885), John (1886), David (1888), Andrew (1890), Agnes (1892), Eleanor (1894), Robina (1897) and James (1900).
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Photo credit: Scottish Fisheries Museum
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The Chance is mentioned in the above 6 December 1889 East of Fife Record, having returned from Yarmouth with fellow Largo vessels Ocean Bride and Jane and Minnie. In December 1894, Chance was sold to Charles Criggie of Gourdon and registered at Montrose as ME127. She was broken up six years later in 1900. At the time of the 1901 census, Andrew Bisset was still a fisherman but these were the last days for many of the Largo deep-sea fishing vessels. By the 1911 census, Andrew's occupation had changed to labourer and the family were living at the Temple (in one of the now-demolished Burnside cottages). The two sons living at home were a labourer and a house painter. By 1915, the Bissets had moved to Burnbrae Terrace, pictured below, where Andrew and Helen would remain for rest of their lives.
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Andrew and Helen's son Andrew, who had been an apprentice house painter with John Adam of Lundin Links, had emigrated down under in 1912. During the First World War, he had joined the Australian Infantry. As part of the 56th Infantry Battalion, he was sent to Europe. In August 1917, he visited his parents in Largo for a few days. However, just weeks later, he was killed in action. He died on 17 October aged 27 and is commemorated on the Menin Gate war memorial in Ypres as well as on the Largo War Memorial.

Eleanor (Helen) Bisset died nine days after her son, on 26 October 1917, aged 59, at Burnside Terrace. It seems that she would not have been aware of her son's death, as news of this did not appear in local press until 15 November (see Leven Advertiser below).  Andrew Bisset senior survived his wife by over 15 years. He died at Burnbrae Terrace on 26 January 1933, aged 79. On the registration of his death, he was described as a 'retired roadman' but in fact he had a range of occupations in his lifetime. Arguably, it was his time as a fishermen that had the biggest impact on his life and of course that of his wife. 
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Osprey - KY 977

14/7/2022

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The image above shows four boats entering the harbour at Aberdeen. Second from the left is the Osprey of Largo, registration KY 977. Two other boats with a KY (Kirkcaldy) registration are on either side of the Osprey. This image features in the book 'Scotland's East Coast Fishing Industry' by Mark I'Anson. Constructed in 1872, at John Watt's boatyard in Dysart, the Osprey belonged to twin brothers William and Robert Gillies, who were still in their 20s at the time. The two newspaper reports below from 25 May that year (Fife Free Press and Fifeshire Advertiser) tell of her launch. The Osprey was a carvel built decked fishing boat of around 45 feet long. Many spectators were present to witness her head-first launch from Sailor's Walk.
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​Below are some images of Dysart Harbour and the Sailor's Walk. Sailor's Walk (also known as High Brae Head) was an elevated walkway above the harbour. Steps were built up to it in 1907. The spot certainly offered a great vantage point for boat launches and other harbour activity.
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The Gillies brothers later also owned the Ocean Bride, which was built for them in 1882, a decade after the Osprey. Both boats are mentioned in the brief newspaper clip below from the 11 July 1889 Fifeshire Journal. On this occasion, the two vessels had to return home after losing many nets to dog fish (an abundant species of shark found in Scottish waters). 

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In the clip below from the 13 July 1893 Fifeshire Journal, the Osprey, along with many other local boats were up at Peterhead for the summer fishing. It seems likely that William and Robert would have skippered one each of their boats the Osprey and the Ocean Bride. Other vessels making the same trip included the Annie Johnston, the Forget-Me-Not and Fortunatus.
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The 30 August 1895 East of Fife Record above tells of a "highly satisfactory" trip to Aberdeen, when Skipper William Gillies fared "the best of the local men". It notes that two of his boats were on the trip - one that he was skippering and another which was "out on deal". These would like have been the Osprey and the Ocean Bride. Another Largo fisherman, Thomas Lawrie, owner of the Sultan, also gets a mention in the article. An update in the next week's paper reports on most of the Largo vessels returning home. This piece clarifies that it was the Osprey (the older vessel) which had been "lent out on a deal to a St Monans crew" and explains how individuals with multiple boats might ensure all their vessels are kept busy when they can't secure local crews. In turn a couple of Largo men helped crew a St Monans boat as 'halfdealsmen' (providing the extra hands but no equipment or share in the boat). 

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In the summer of 1897, Robert Gillies lost his life when he was knocked overboard from the Ocean Bride and drowned. Mentions of the Osprey (pictured in more detail below) in the press after that seem to disappear. A few years later most other Largo deep-sea fishing boats had also gone. Only the Ocean Bride remained after 1901 - it continued on until 1909.
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    This blog is about the history of the villages of Lundin Links, Lower Largo and Upper Largo in Fife, Scotland. Comments and contributions from readers are very welcome!

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