This circa 1905 postcard view looks along Emsdorf Street from the front door of David Lindsay's grocer shop at the junction of Hillhead Street. In the immediate foreground to the left is an old wall (long gone) and to the right, up high, a street lamp holder. Also to the right, on the ground, are a wooden barrel and box, typical of the era. Back in the 1970s local resident Esther Menzies recalling this shop said:

"Mr Lindsay sold everything nearly - bran, parings, oatmeal, dried big cod, doormats, salt herring from a barrel in front of the counter and of course the ordinary groceries not packaged as they are today."

She commented upon how this area was really the hub of the village with Cowie the chemist next door and Robert Forrester's painter and paperhanger shop opposite. There were other businesses both on Hillhead and Emsdorf Streets. 

Highclere Castle is a country house in Hampshire, best-known today as the set for the drama 'Downtown Abbey'. In 1838, the 3rd Earl of Carnarvon commissioned architect Charles Barry (who was also working on the Houses of Parliament at the time) to transform the Georgian House he had inherited at Highclere into a spectacular Italianate Castle. The work was carried out during the 1840s.

However, there is also a 'Highclere' in Lundin Links at 25 Hillhead Lane. The story of how this house got its distinctive name starts with Andrew Peebles, who was born in Lundin Mill in 1836 to James Peebles and Mary Grieve. Like most of their Emsdorf Street neighbours, the whole family were linen hand loom weavers. In the census of 1851, 14-year-old Andrew was described as a weaver, as were his two older sisters and his 12-year-old brother - just like their father.

However, hand loom weaving was on the decline and before long all the Peebles children had found alternative employment. Andrew - described as a "strapping youth" - found employment with the factor's office of the Largo Estate. This was in the days of Lady Dundas (Lillias Calderwood Durham, wife of Robert Dundas). By the 1861 census, Andrew was working as a forester on the Arniston estate in Midlothian which was also owned by Lady Dundas. The move to Arniston was one made by several Largo folk including gardener Colin McTaggart and William Tivendale who was also a forester, a former weaver and a cousin of Andrew Peebles. 

'Downfield' is the brick building in the centre of the image above. It stands between Largo St David's Church and Court House and is in fact on the site of the original church. Initially known as 'Largo Relief Church', the original building was erected in 1771. The congregation at that time was largely made up of folk that had previously attended church in Kirkton of Largo but had broken away in protest over the appointment of a new minister. As the 'Historical Sketch' of Largo St David's Church states:
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"Those who left Largo Kirk met for worship in the open air until Mr Durham himself granted them a site on which to erect a Church. This site is next to the present building in the area now occupied by "Downfield"."

This church was in use for a century before the present church building was erected alongside it in 1871-72. The original church was demolished and the plot lay empty for over a decade before the five-dwelling building now known as Downfield was built.  The annotated maps below show the changes to the site over the period from around 1850 to 1910.

The original proprietor of Downfield seems to have been David Gillies the net manufacturer, as it is his name that appears on the 1895 valuation roll as owning the building. Interestingly, the brick building has echoes of the Cardy Net House - particularly the chimney design. David Gillies is known to have designed and built Cardy House and Cardy Works himself with assistance from his joiner siblings. He is listed in the Dictionary of Scottish Architects. There seems to be a good chance that he was the architect of Downfield and recreated the brick work style of Cardy Works.

One of the early tenants was fisherman John Bisset. He was living in one of the dwellings at the time of the 1891 census with his wife Helen (nee Horne) and their daughters Grace and Georgina. In 1891 the building had not yet acquired the name Downfield. By the time of the 1900 valuation roll John Bisset had become the proprietor of Downfield and the name of the property had been established. Presumably he had purchased the building from David Gillies at some point after his career change from fisherman to mine manager at Teasses Colliery.

When Mr Bisset died in 1931, the St Andrews Citizen noted that he owned an extensive poultry farm at Buckthorns and was "a native of Largo" who "spent his early years as a fisherman before going to Teuchats Farm, where he also managed the Lime Works. He was for fourteen years in charge of the pumps at Durie Colliery. He left Teuchats and entered upon the tenancy of Buckthorns Farm in 1914. Mr Bisset took a keen interest in the development of Largo as a summer resort and was an active member of the committee for the improvement of the pier." 

The name 'Downfield' could possibly have come from the Downfield estate between Kettle and Montrave which also had collieries and lime works, which perhaps John Bisset once had a connection to. If anyone can confirm the origin of the name - please comment. Below is an advert for the sale of Downfield in 1946 (30 October Leven Mail) which describes the layout and facilities at that time.
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Continuing on from the previous post, let's compare the 1885 parade route (on the day of the unveiling of the Robinson Crusoe statue) with the present day equivalent views. Above shows the 'Labour Always Conquers' banner which was situated at Largo St David's Church (seen on the left edge of the images). The buildings on the right (Comely Bank and Balfour Cottage) are unchanged. However, on the left side, after the church, a new addition has appeared since 1885, in the form of 'Downfield'. This building contained five dwellings, three on the ground floor and two on the first floor, and was constructed c1890. Beyond that is Court House, then Doctor's Wynd, Goodsir House and Bonny Bay House and Bakery.
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The next arch was sited just before arriving at the statue itself and bore the motto "Robinson Crusoe now we see good and great at last". The images above feature on the left 93-97 Main Street with the Crusoe Buildings beyond. On the extreme right is 'Seabeach' followed by 'Balguthrie'. The evergreen-covered platform can be seen on the centre left of the 1885 photograph. This is where the unveiling ceremony took place and where many speeches were given on 11 December that year.
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Moving east beyond the statue, the next arch and banner were positioned just before Cardy House and the tight corner down to Cardy Works. Naturally this one stated "May Cardy Works Flourish". The gate pier of Craigiebank is on the far right with a weaver's cottage beyond. On the left side of the street are the buildings of the former Loomshop Studio and then 'East End Cottages' or 'Braehead' (now known as Cardy Crossing Cottage). The trees behind the wall of Cardy House today look like they could be the original ones seen on the old picture.

Finally, once the ceremony around the unveiling of the Robinson Crusoe statue was complete and the dignitaries were ready to set off back to Largo Station, a final message hung stating "Will you no come back again". This comparison photo is perhaps the view that reflects the most change over time. The boats hauled up on the left hand side are now replaced with cars. The viaduct no longer has railway traffic travelling over it. The mill building seen below the viaduct arch is gone, along with the footbridge seen in front of it in 1885 (crowded with people for the special occasion). The Railway Inn is ever present though and was in the hands of the Bunns in 1885. The whole affair must have been quite a spectacle and wonderful to witness, although strange that a cold and short December day was chosen for such a red letter day for the community.

Above was how the 16 December 1885 Fife Herald described the day of the unveiling of the statue of Robinson Crusoe on Lower Largo's Main Street.  The piece continued:

"On the other arches were displayed such mottoes as "Weel may the Boatie Row" - a song which has special application to Largo; "Labour always conquers"; "Robinson Crusoe now we see, good and great at last"; and "May Cardy Works Flourish". A temporary platform, covered with evergreens, was erected in front of "Crusoe's Cottage" and there the ceremony of the day took place".

Such a special occasion demanded the presence of a high class photographer and John Terras of Markinch provided this service. Many images of the day have been preserved but this post and the next focus on a series of images of the parade route and its arches and mottoes. What has changed along the route since 1885?

There are a few differences at the very start of the processional route. Notably, the boats once frequently hauled up onto the street have long since been replaced by cars. The house through the archway has undergone significant remodelling. The convenience shop sits where the garden of Alexandra House once was. In spite of these changes, however, it's still a recognisable view - mainly thanks to the Crusoe Hotel on the right hand side and the slipway down to the beach.

The next 'then and now' location shows the old manse at 23 Main Street on the left while the two-storey building on the right (framed by the arch) is 'Berwick View'. Here was the business of Alexander Simpson, who was a shoemaker in 1881 but a grocer by 1891. His shop sign is visible in the 1885 photograph. Inch View Cottage lies beyond that on the right. In the old image, Butters Buildings can be seen through the arch on the left (lighter coloured building). The people standing watching the photographer include men, apron-ed women, children and babies in arms.

​A little further east from the first location, another banner was positioned. This time at the bend in the street where White Cottage sits on the right. On the left is the gable end of 57 Main Street (then known as No 1 Seaview). On the 1885 photo, in the centre behind the arch is a quaint old house that was known as 'The Castle'. Little did the occupants of this little house know then that this building's days were numbered. Several years later this property was swept away in a violent storm. 

A severe north-easterly gale intensified on 18 October 1898. The Scotsman that day described how the sea rose to a "tremendous height" and how huge waves had breached the sea wall at Kirkcaldy. The next day's Courier spoke of havoc on Kirkcaldy High Street which was "strewn with large blocks of stone, wood and other debris". Several vessels had been driven ashore along the east coast and it was even said that trains on the Forth Bridge were in danger of being blown from the rails. The St Andrews Citizen of 22 October had the headline "The Terrible Gale: Great Destruction of Property on the Fife Coast" and noted that "a few of the houses close to the sea have washed away all together". The shops at 52-56 Main Street were not built until 1887 and so do not feature in the parade photograph.

​To be continued.....

By way of a follow-up to the previous post about Somerville the Grocer, it's worth highlighting a little piece of architectural detail that is very familiar, as we walk over it all the time. The Leven Road shop still has its original panel of prismatic lights on the pavement in front of the shop window. These were designed to allow sunlight into the cellar below before the days of affordable electric lights. The prism shape on the underside (see examples below) allows light to be reflected sideways under the main building rather than just straight down.  It may also have been that goods could be delivered through the panels flaps (see image further below). 

The Lundin Links panels were manufactured by T. Hyatt & Co of Farringdon Road London. Over time some prisms have become cracked and others damaged through wear and tear - being replaced with tiles and cement as the natural light is no longer relied upon to illuminate the space below. The prismatic light concept featured in many architectural products of the time - some examples of which are illustrated in the advert below.
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Eighty three years ago today, the snippets above appeared in the Fife Free Press in the local news update for Largo. Both short stories relate to fresh beginnings - the first to the completion of new housing and the second to a the new impending holiday season.  While the replacement of buildings happens rarely, the annual preparation for the influx of holidaymakers was part of the rhythm of life at the time. 

The "old-fashioned corner" of the village referred to in the top news item was a small section of Lower Largo's Main Street known then as 'Butters Buildings'.  James Butters was a weaver/net maker/boatman who had died late in 1934. He (and his parents James Butters and Margaret Gilchrist before him) had owned a few dwellings and a loomshop for many decades, while living opposite at 'Cliff House'.  James senior was a fisherman. He and Margaret had ten children but only  James (1860-1934) survived into adulthood.  

The replacement buildings were built by Walter Horne, who was married to a cousin of James Butters (Agnes Guthrie).  Part of the new construction later ​housed the Cockleshell Cafe. interestingly, the "old red tiles on the roofs" were reused on the new building. Red roof tiles remain there to this day (see photograph below with the buildings in question to the right behind the tree).

Woodwell House was situated on the brae or wynd behind the Lundin Links Hotel, opposite Fir Park. The house's original name was 'Wynd House' but this was later changed to another descriptive name, determined by its location next to a well and opposite the woods. The house was located for practicality - low-lying, right up against the road, tucked into the side of a slope. Unlike many houses in the village, this one was not positioned for the pleasant view or quiet location. It was likely built soon after the 1790 creation of the turnpike road through Lundin Mill. Handily sited between the inn and toll house to the south west and the mills and brewery to the north east. The feu upon which Woodwell House was built stretched far behind it, up and over an elevated ridge, towards what would become Emsdorf Street. 

The house and garden were owned by Andrew Dall in the 1840s. He was a stone mason, so perhaps he (or a relative) was the builder of Woodwell House. After Dall died in Lundin Mill in 1843, aged around 67 years, his widow became the proprietor. On the 1850s feuars map of Lundin estate, the plot is registered to "Andrew Dall's widow" (as were two other feus very close by). On the feuars map the house has an annex adjoining it - added at some point to provide additional space. In the 1851 census, Andrew's widow Ann and daughter Cecilia were living in the house. It would be passed down the family for multiple generations.

Another of Andrew's daughters, Elizabeth, married coal miner Thomas Black and lived in the house from around 1855. They were still there in the both the 1861 and 1871 census, along with their children (most of whom were likely born in the house). One of their daughters, born in 1857, was named 'Helen Lundin Brown Black' - her middle names presumably taken from the then minister of the Free Church in Largo, Rev. Robert Lundin Brown.

Elizabeth Black died in 1879 aged 54. By the 1881 census her widower, Thomas, was living in the smaller part of what was then named 'Wynd House'. One of his daughters (Ann) lived in the main part of the house with her second husband William Cowan (a flax scutcher), her 3 children from first marriage (to Walker Harris), plus their 2 children together.  In 1891, Ann Cowan was in the main part of the house with six of her children, while two lodgers were in the annex. By 1901, the house has been renamed 'Woodwell House' although still occupied by Ann Cowan, two of her daughters and a domestic servant. The annex was occupied by one lodger - local police constable, William Mitchell.

In the 1911 census three Cowan sisters were living at Woodwell - Rose Ellen, Edith and Caroline, along with Edith's husband John Warrender. Their mother Ann Cowan (daughter of Elizabeth Dall and Thomas Black) lived at Earnest Cottage just down the road from her daughters until she died there in 1915 aged 69. The children of Ann Cowan collectively owned Woodwell for decades after that. Edith and John Warrender lived in the main house, while the annex had various tenants. Peter and Agnes Bloomfield lived there in the early '40s until Agnes's death at the house in 1943 aged 81. The Bloomfields relatives, John Mackie (gardener at Kellie Castle) and his wife Janet Younger, then lived there. Janet Younger Mackie died at Woodwell in 1944. 

During the late 1940s and early 1950s the house was occupied by David and Jane Erskine and their daughter Jessie. When Jessie married John Aitken in 1950, they lived in Woodwell House also, until it was condemned. Both the Erskines and the Aitkens were rehoused in Durham Cresent, Lower Largo, when it was newly built. Although that marked the end of an era for Woodwell House, the site was reconfigured to become a garage/workshop - in which form it can still be seen today on the east side of Largo Road (see image below).

A topic covered before, but worth revisiting, is the intricately designed house by James Campbell Walker shown above. It is Bourtree Brae House on Crescent Road in Lundin Links. It is now fairly well disguised with its large extension to the right and porch around the front door, however, many of the original features still remain. Lots of information about the building of this house is included in the 1868 book entitled "Villa and Cottage Architecture: Select Examples of Country and Suburban Residences Recently Erected" published by Blackie & Son. Below are the relevant pages from the book. It's fascinating detail on what was one of the few houses built under the stalled Standard Life development scheme of the late 1850s.

According to A.S. Cunningham's 1907 book 'Upper Largo, Lower Largo, Lundin Links and Newburn', New Gilston was built around 1700 and owes its existence to coal mining. Its 'coal works' are mentioned in the 1773 advert in the Caledonian Mercury (below) advertising the lands for sale. Historic Environment Scotland consider it to be a 'planned village', The 1854 map below clearly shows its linear layout and fairly uniform plots. It also shows that some of buildings are ruinous by this time. Clearly marked on the map are the village smithy and the school. There is also a coal pit situated to the north of village (there were few others not much further away). And there were many quarries in the area. The 1845 Statistical Account on Scotland specifically mentions that "to the north of New Gilston a singular mass of rum coal is found, under the mass of overlying trap to the south. It is an inflammable bituminous shale, and is extensively used for lime burning. It is known to be eighty feet deep, and is wrought in an open quarry."

Situated to the north of Largo Law, New Gilston is credited as being the highest inhabited place in Fife. It is well-documented that the name of the village has fluctuated over the years - for example: 
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• Guilston Backmuir in 1753  on the Roy map 
• Newtown of Gilston in 1775 on the Ainslie map 
• New Gilston in 1828 on the SGF map
• Backmuir of New Gilston on the 1854 OS map above 
• New Gilston on the 2001 OS Explorer map

The 1841 census data for the village shows that the majority of adult males in the village were employed either as agricultural labourers or as coal miners (with a small number of hand loom weavers and carters and a couple of blacksmiths and stone masons). At that time the village had had a school for a number of years - a subscription school having begun in 1832 (see advert below from the 1 November Fife Herald that year.

Some of the buildings shown in the circa 1900 postcard above still survive to this day. But many are long gone, replaced by more modern homes. One of the most dramatic events in the history of New Gilston took place in 1953 - more on that in the next post.