South Feus in Upper Largo is described as "a quiet byway of diverse, early 19th century properties, which enjoy the open view south across the Forth" in Glen L. Pride's 'The Kingdom of Fife: An Illustrated Architectural Guide'. However, this is not quite an accurate statement, as the oldest house on this street dates to 1790. Many properties are indeed early 19th century but others are of a different age. The top black and white postcard image above shows the west end of South Feus around 1900. The most obvious change, when looking at the same view today, is the invasion of parked cars.

Although the street features several architectural styles, a number of the houses share the distinctive feature of drum-shaped dormer windows (also found on a few Main Street properties). These are typical of the late Georgian period. Daniel MacCannell's 'How to read Scottish Buildings' tells us that "dormers that are round or oval (if viewed from directly above), each containing one standard sash window and slated around the rest of their circumference, are very frequently seen on Edinburgh buildings from the end of the eighteenth century". These remained in fashion until around 1840 when bay fronted dormers became the norm. So the properties with those features are most likely early 19th century.

When viewed from the south, you can appreciate variety of architectural styles that make up the grouping. The 'Upper Largo Conservation Area Appraisal and Conservation Area Management Plan' drafted by Fife Council in 2012 states that:

"In the early 1800’s growth occurred in response to the ferry at Lower Largo and later the railway station and its resort status together with adjacent Lundin Links. The villas and house along South Feus are a reflection of this. The 1861 Parochial Directory for Fife & Kinross notes: ‘Both Lower and Upper Largo are favourite resorts as sea-bathing quarters, a number of the inhabitants letting out a portion of their premises to summer visitors.’"

This suggests an early phase of development triggered by the establishment of a regular steam boat ferry service in the early 19th century and a later stage of new building on the back of the 1857 arrival of the railway.  However, the first dwelling on the street predates both of those events. Back around 1790, the house now known as The Grange, but formerly known as Bayview, was built for Adam Wilson. Wilson was the factor for James Calderwood Durham (1732-1808) of Largo House. The role of factor was basically to undertake the day-to-day management of the estate, often overseeing improvements, as well as ensuring the repairs and maintenance, collection of rent, etc were carried out. It was a position of some standing and in this case the factor was given a home in-keeping with the importance of the role.

There is a memorial stone to James Calderwood Durham in Largo Kirk, stating that he had "for many years directed the improvements of this county". His factor Adam Wilson would have facilitated many of those improvements. In 1800, Wilson married farmer's daughter Christian Edie but their union was to be short lived. Adam Wilson died the next year and was buried in Largo Churchyard on 30 September 1801. Christian went on to live to the age of 93, passing away in Upper Largo in 1866.

By the time of the 1854 Ordnance Survey map of Upper Largo (above), Bayview (now The Grange), in its sizeable plot, in the centre of the street (by the '150' contour line), had been joined by other houses on each side. Those included Largo Cottage to the west (left) with ground stretching back to the Main Street; and to the east (from left to right) Southview, Seafield and Carlton. There is evidence that many of these early homes would have originally had thatched roofs. Thackstanes can still be seen below several chimneys​. ​Known as 'New Feus' for a time after this phase of development, the name had evolved into 'South Feus' by the 1870s, although sometimes the term 'The Feus' was also used (as was the case in the 1891 census).

Carlton, 8 South Feus, was so named after the birthplace of Emma Clayton - i.e. Carlton, Huddersfield, Yorkshire. She was married to Robert W. Clayton who owned this property as well as Hallwells in Lundin Mill. Their son was William Clayton, a marine engineer, who died in WW1 and was married to Jessie Clayton, who began La Scala cinema after she was widowed. La Scala was run by her sons Bill and Thomas Clayton for many years. The gable end of Carlton can be seen in the postcard image below, looking west along South Feus.
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A later addition to the street was the building on the right of the above image - St Leonards. South Feus had long been home to the village doctor, with Dr George Lumgair settling there in the 1840s at Largo Cottage. He lived out the rest of his life there and his wife Frances died at Largo Cottage in 1900. Lumgair's assistant Dr Stuart Palm married his daughter and had St Leonard's built in 1880. Palm became the village doctor after Lumgair's death in 1884 and remained so until his own death in 1908. Palm's successor Dr William Eggeling also resided at St Leonard's. Another late 19th century building, which filled a gap to the west of Largo Cottage, is Viewfield (number 20), dated 1893. 

The newspaper piece below from 30 September 1908 tells of a day of celebration on South Feus. The newly installed doctor, Dr Eggeling, returned from his honeymoon with his wife Ellis Mitchell Wood. The couple were given "a right royal reception", their house was decorated with bunting and a crowd of well-wishers awaited their carriage. That evening the brass band marched along South Feus.

South Feus is said to "turn its back on the village to enjoy the uninterrupted views south across the Firth of Forth". Its elevated position with expansive views of Largo Bay made it a popular place for summer visitors to stay and the address often features in the newspaper archive lists of visitors coming from places like Edinburgh and Glasgow to enjoy the sea air. However, rather than turn away from the village, this street and its residents has always been an integral part of Upper Largo, being home to many people key to the local community from the estate factor, to a series of village doctors, and several local joiners. Peter Broomfield and his son Agnew Broomfield lived at the west end of South Feus, as did the Donaldson joiners in more recent times. The 1964 map of the street, below shows the properties in more detail. What the map conceals is the two centuries of village history connected to this short row of buildings.
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Postscript: Many thanks to John Band for leaving a comment pointing out that there is a blocked up access point to Largo House opposite the west end of South Feus (shown in the annotated photograph below). This would have allowed Adam Wilson (and subsequent factors) easy access from their own home on South Feus.  Look out for it next time you are passing!

The image above was one of a series taken by the George Washington Wilson studio to showcase the new buildings of Lundin Links around 1900. As well as this view of the approach to the village from the station, photographs were taken of the newly completed hotel, the smart row of shops, the golf club house and the many new villas. However, a slightly incongruous-looking part of old Lundin Mill can still be seen in the above image if you look closely. 

Shown more closely in the detail below, in front of the Lundin Links Hotel, is a row of old cottages. By the time that this image was captured these old buildings' days were numbered. By 1903, the cottages had been demolished and the corner of Emsdorf Street and Links Road (then Station Road) had been transformed, with the Pharmacy as the centrepiece.

The census information from 1901 and earlier decades, tells us a bit about these replaced dwellings. The cottage at the far west end (to the left in the image below) was unsurprisingly known as "West End Cottage". Next to it was an unnamed cottage occupied by none other than Jumpin' Jimmy Methven. Next came "Ivanhoe Cottage" (its later replacement kept the same name). And finally (just before Bellville) there was "Meldrum Cottage". It was so named because it belonged to Jean Hogg (nee Meldrum) who lived there with her daughter Julia. Julia Hogg later lived in Mill Wynd and met with a tragic death in 1897.
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The view looking along Station Road towards the Lundin Links Hotel was one that was often recaptured over the years and the examples below, taken not long after the one above, shows that the cottages have been replaced with the West Emsdorf Street shops and joined by the eight terraced houses of Park Terrace (now part of Links Road). The four shops and neighbouring tenements were built by Walter Horne and the newspaper piece further below from the 5 February 1903 Leven Advertiser shows that they were under construction early in the year. Later reports tell us that the shops were open by July and that a concrete footpath had been laid in front of them.

The road annotated on the aerial photo above is Durham Wynd, which runs down from the A915 close to Largo House to Lower Largo's Main Street near the Orry. Some folks will still know this road as 'Donaldson's Wynd', as that was how this road was referred to for around a century. Until recent decades there were almost no buildings on either side of this road - it was bounded by fields on both sides. As such, references to it in historical records are scarce. Below is a rare early reference to Donaldson's Wynd from the 4 April 1878 Fife Herald.

Occasional references to Donaldson's Wynd continue to appear in the newspaper archives from then up until the late 1950s. The alternative name of 'Durham Wynd' eventually began to appear in parallel, especially from around 1929, when some houses were build adjacent to it (see example further below from the 16 March 1929 St Andrews Citizen).

​In fact, as far back as 1892 the dual name of the road was acknowledged - see below from the 17 September 1892 St Andrews Citizen. This piece calls the road "Donaldson's or the Durham School Wynd". Of course, it makes sense for the road to be referred to as 'Durham School Wynd' as the new Durham School was built on it circa 1860 (more on that in a future post). But where might the original name of 'Donaldson' have come from?

A likely origin of the name Donaldson's Wynd would be that it was named after David Donaldson (or one of his forebears). Like many of the inhabitants of early 19th century Lower Largo he was a hand loom weaver but crucially he was one of the few inhabitants to actually live on this road. The only houses located on it then were those found at the foot of the wynd close to the Orry. David Donaldson lived in one of these. David also held an official position of importance within the community. His name appeared on advertisements for teaching staff at the original Durham School (located at the Temple car park). Applicants were to apply directly to him, suggesting that he was perhaps clerk to the school board or equivalent body. Notices below from 14 March 1839 Fifeshire Journal and 27 May 1841 Fife Herald respectively provide examples.
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David Donaldson died in 1852 aged 78. Perhaps when the new Durham School was erected on the wynd a few years later, close to his former home, a name was needed and his was chosen. Whether the wynd already bore his name before his death or whether it was named in his memory is unknown but the name certainly stuck long after his passing. If you know any more about the origins of the name 'Donaldson's Wynd' please comment.

The wynd is quite steep at its lower end and many of the mentions of it in the newspaper archives relate to accidents that have taken place there. A few examples of these are given below...

Anyway, over the last century, the road has become increasingly built up on both sides as the aerial view at the start of this post shows. Successive housing developments over several decades have seen it transform into something that would be quite unrecognisable to David Donaldson. In spite of the change to 'Durham Wynd' over time, the Donaldson name lives on both in the memories of many and in the name of the small housing development at the top end of the road - Donaldson's Court.

The previous post highlighted a painting which featured 'Doctor's Vennel'. This characterful corner of Lower Largo no longer exists in its original form but is remembered fondly by many. Found at 81a Main Street, tucked behind 'Court House', this former row of historic buildings was also known as 'Doctor's Wynd' and 'Court House Close' over the years. The 'Doctor' reference derives from the fact that the vennel was adjacent to (the still remaining) 'Goodsir' house, which was the home of Dr John Goodsir over two hundred years ago.

The above sketch of the vennel was created by Ken Lochead (1936-2006), the East Lothian-based watercolour artist, during the era when the Largo Pottery was located in these buildings. However, further back in time Doctor's Vennel accommodated four dwellings. The census extract below from 1901 shows the four households recorded then, between 'The Court' and 'Goodsir House'. At this time all four of the households were headed up by older, retired individuals - a former loom weaver, a former oil mill crusher, a former domestic servant and 74-year-old Isabella Lawrie (who lived with her net worker daughter).

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​Isabella Lawrie lived at the end of Doctor's Vennel for decades. Her dwelling was right next to the natural spring - located through the opening at the far end of the vennel (see photograph below from the book 'Seatoun of Largo' by Ivy Jardine).
Water emerged from the spring within a carved hollow in the vertical bedrock into a stone trough (a feature which remains to this day - see colour image further below). Having direct access to a natural spring that never ran dry made Isabella Lawrie (maiden name Sime) the ideal person to wash clothes for those without such an amenity. Indeed the 1891 census extract below lists her occupation as 'washerwoman' (as it also was in the census of 1871 and 1881). She was married to merchant seaman James Lawrie. Isabella died in 1912 aged 87.

In the late eighteenth century, there were at least three washerwoman in Largo Parish - each living next to a water source. In addition to Isabella Lawrie, there was Grace Cornfoot in Kirkton of Largo, close to the water pump at Church Place and Margaret Wallace, who lived right next to Pump Green in Lundin Mill. They probably all also made use of the communal bleaching greens that were common at the time.

Among the other residents of Doctor's Vennel were Andrew Drysdale - a carter who lived there in 1911, and further back in time several hand loom weavers, labourers and fishermen. The series of photographs below are from the 'Canmore' website, which is part of Historic Environment Scotland. Taken when the buildings were in a run-down state, these images pre-date the establishment of Largo Pottery at the site. More to follow on the pottery in the next post.
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The painting above (entitled 'Harvest in Largo') is a view from what is now Bourtree Terrace/Bourtree Brae, looking over the rooftops of Lower Largo to the south west. Painted around or before 1910 by John Blair, the artist was sitting in what was then a field between the old Durham School and the Main Street. The bellcote of Largo St David's Church dominates the skyline and there are many boats our in the bay. 

The annotated sketch of the same view highlights the following buildings: 
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1. Rear of Durham House                2. Goodsir House             3. Balfour Cottage (obscuring Comely Bank to the rear)
4. Grocer and Co-op Shops             5. Court House                  6. Downfield
7. Largo St David's Church              8. Doctor's Vennel

Also in the distance to the far right are the long-gone Butter's Buildings.

The 1912 map below helps to clarify where the painting was taken from and the direction of the view. Bourtree Terrace is shown on the map below but is absent from the artwork, showing it was created before the creation of the map. John Blair was a landscape artist born in Berwickshire in 1850, who died in Edinburgh in 1934. At the time of his death the Berwick Advertiser (18 Oct) noted that "his watercolours, well-known to connoisseurs all over the country, depicting often the quaint picturesqueness of fishing villages, met wide appreciation". It's wonderful when an old painting, taken from an unusual position, gives an insight to life in the villages in days gone by.

A comparison of Crusoe Buildings (on the right, looking west) - with a circa 1900 view at the top and a contemporary view below. Not much changed? On closer inspection the Crusoe Buildings have undergone a fair amount of remodelling over the last 120 years, with significant changes to the window arrangement and an attic conversion. It was modernised and reconstructed in 1936 according to the newspaper archives. Recent years have seen further renovation. Happily, the statue is unchanged - although it did enjoy a holiday in Glasgow in the 1980s.

Capturing this view without cars featuring in it, is impossible today and no longer does the road feature physical evidence of horses. A new window has appeared in the gable end of neighbouring number 97. The church bellcote has gone and indeed the church building is no longer in use as a church. 

​Below some small details are picked out. Note the child at the door of the former 'Very Crafty' shop. The buildings once housed a Barber's Shop (see announcement from 13 June 1912 Leven Advertiser further below).
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This circa 1905 postcard view looks along Emsdorf Street from the front door of David Lindsay's grocer shop at the junction of Hillhead Street. In the immediate foreground to the left is an old wall (long gone) and to the right, up high, a street lamp holder. Also to the right, on the ground, are a wooden barrel and box, typical of the era. Back in the 1970s local resident Esther Menzies recalling this shop said:

"Mr Lindsay sold everything nearly - bran, parings, oatmeal, dried big cod, doormats, salt herring from a barrel in front of the counter and of course the ordinary groceries not packaged as they are today."

She commented upon how this area was really the hub of the village with Cowie the chemist next door and Robert Forrester's painter and paperhanger shop opposite. There were other businesses both on Hillhead and Emsdorf Streets. 

Highclere Castle is a country house in Hampshire, best-known today as the set for the drama 'Downtown Abbey'. In 1838, the 3rd Earl of Carnarvon commissioned architect Charles Barry (who was also working on the Houses of Parliament at the time) to transform the Georgian House he had inherited at Highclere into a spectacular Italianate Castle. The work was carried out during the 1840s.

However, there is also a 'Highclere' in Lundin Links at 25 Hillhead Lane. The story of how this house got its distinctive name starts with Andrew Peebles, who was born in Lundin Mill in 1836 to James Peebles and Mary Grieve. Like most of their Emsdorf Street neighbours, the whole family were linen hand loom weavers. In the census of 1851, 14-year-old Andrew was described as a weaver, as were his two older sisters and his 12-year-old brother - just like their father.

However, hand loom weaving was on the decline and before long all the Peebles children had found alternative employment. Andrew - described as a "strapping youth" - found employment with the factor's office of the Largo Estate. This was in the days of Lady Dundas (Lillias Calderwood Durham, wife of Robert Dundas). By the 1861 census, Andrew was working as a forester on the Arniston estate in Midlothian which was also owned by Lady Dundas. The move to Arniston was one made by several Largo folk including gardener Colin McTaggart and William Tivendale who was also a forester, a former weaver and a cousin of Andrew Peebles. 

'Downfield' is the brick building in the centre of the image above. It stands between Largo St David's Church and Court House and is in fact on the site of the original church. Initially known as 'Largo Relief Church', the original building was erected in 1771. The congregation at that time was largely made up of folk that had previously attended church in Kirkton of Largo but had broken away in protest over the appointment of a new minister. As the 'Historical Sketch' of Largo St David's Church states:
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"Those who left Largo Kirk met for worship in the open air until Mr Durham himself granted them a site on which to erect a Church. This site is next to the present building in the area now occupied by "Downfield"."

This church was in use for a century before the present church building was erected alongside it in 1871-72. The original church was demolished and the plot lay empty for over a decade before the five-dwelling building now known as Downfield was built.  The annotated maps below show the changes to the site over the period from around 1850 to 1910.

The original proprietor of Downfield seems to have been David Gillies the net manufacturer, as it is his name that appears on the 1895 valuation roll as owning the building. Interestingly, the brick building has echoes of the Cardy Net House - particularly the chimney design. David Gillies is known to have designed and built Cardy House and Cardy Works himself with assistance from his joiner siblings. He is listed in the Dictionary of Scottish Architects. There seems to be a good chance that he was the architect of Downfield and recreated the brick work style of Cardy Works.

One of the early tenants was fisherman John Bisset. He was living in one of the dwellings at the time of the 1891 census with his wife Helen (nee Horne) and their daughters Grace and Georgina. In 1891 the building had not yet acquired the name Downfield. By the time of the 1900 valuation roll John Bisset had become the proprietor of Downfield and the name of the property had been established. Presumably he had purchased the building from David Gillies at some point after his career change from fisherman to mine manager at Teasses Colliery.

When Mr Bisset died in 1931, the St Andrews Citizen noted that he owned an extensive poultry farm at Buckthorns and was "a native of Largo" who "spent his early years as a fisherman before going to Teuchats Farm, where he also managed the Lime Works. He was for fourteen years in charge of the pumps at Durie Colliery. He left Teuchats and entered upon the tenancy of Buckthorns Farm in 1914. Mr Bisset took a keen interest in the development of Largo as a summer resort and was an active member of the committee for the improvement of the pier." 

The name 'Downfield' could possibly have come from the Downfield estate between Kettle and Montrave which also had collieries and lime works, which perhaps John Bisset once had a connection to. If anyone can confirm the origin of the name - please comment. Below is an advert for the sale of Downfield in 1946 (30 October Leven Mail) which describes the layout and facilities at that time.
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Continuing on from the previous post, let's compare the 1885 parade route (on the day of the unveiling of the Robinson Crusoe statue) with the present day equivalent views. Above shows the 'Labour Always Conquers' banner which was situated at Largo St David's Church (seen on the left edge of the images). The buildings on the right (Comely Bank and Balfour Cottage) are unchanged. However, on the left side, after the church, a new addition has appeared since 1885, in the form of 'Downfield'. This building contained five dwellings, three on the ground floor and two on the first floor, and was constructed c1890. Beyond that is Court House, then Doctor's Wynd, Goodsir House and Bonny Bay House and Bakery.
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The next arch was sited just before arriving at the statue itself and bore the motto "Robinson Crusoe now we see good and great at last". The images above feature on the left 93-97 Main Street with the Crusoe Buildings beyond. On the extreme right is 'Seabeach' followed by 'Balguthrie'. The evergreen-covered platform can be seen on the centre left of the 1885 photograph. This is where the unveiling ceremony took place and where many speeches were given on 11 December that year.
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Moving east beyond the statue, the next arch and banner were positioned just before Cardy House and the tight corner down to Cardy Works. Naturally this one stated "May Cardy Works Flourish". The gate pier of Craigiebank is on the far right with a weaver's cottage beyond. On the left side of the street are the buildings of the former Loomshop Studio and then 'East End Cottages' or 'Braehead' (now known as Cardy Crossing Cottage). The trees behind the wall of Cardy House today look like they could be the original ones seen on the old picture.

Finally, once the ceremony around the unveiling of the Robinson Crusoe statue was complete and the dignitaries were ready to set off back to Largo Station, a final message hung stating "Will you no come back again". This comparison photo is perhaps the view that reflects the most change over time. The boats hauled up on the left hand side are now replaced with cars. The viaduct no longer has railway traffic travelling over it. The mill building seen below the viaduct arch is gone, along with the footbridge seen in front of it in 1885 (crowded with people for the special occasion). The Railway Inn is ever present though and was in the hands of the Bunns in 1885. The whole affair must have been quite a spectacle and wonderful to witness, although strange that a cold and short December day was chosen for such a red letter day for the community.