Ploughing matches have been part of the rural scene in Scotland since the late eighteenth century. At these events ploughmen (or ploughwomen) each plough part of a field and the resulting furrows are judged for neatness and straightness. Since around 1800 the Highland and Agricultural Society of Scotland has encouraged these matches by offering awards at locally organised events. In Largo Parish, during the second half of the nineteenth century, the Largo District Ploughing Society arranged an annual ploughing match at which a representative from the H.A.S.S. attended and prizes were given.

Largo's society and annual competition originated early in 1846. That year many Largo agricultural folk attended a ploughing match at Winthank, near St Andrews. Several Largo ploughmen competed - the winner being Thomas Lindsay of Teuchats. The judges were all Largo farmers. It was resolved on that day to "have an annual meeting for the improvement of ploughing" and the society was formed (see 19 Feb 1846 Fifeshire Journal piece below). 

The table further below shows the details of the annual ploughing matches that followed. The venue rotated around the local farms. Thomas Lindsay was a frequent winner in the early years. Later William Latto and Henry Dalrymple had multiple wins. The number of ploughs competing was typically more than twenty. The month in which the ploughing match was held varied, so some calendar years had two matches while others had none. The matches attracted many spectators despite the fact that often the weather conditions were unfavourable. Mrs Duff's Inn at Upper Largo became the post-match venue of choice, hosting the society's dinner almost every year.

As well as encouraging a competitive spirit among ploughmen, ploughing matches played an important role in developing the skill and technique of ploughing and even stimulated improvements in plough design. The matches usually took place on lea ground (that is open meadow, grass or arable land). The best part of the field is selected and an equal allocation of ground given to each competitor. A peg, bearing a number, is fixed in the ground at the end of each lot, which are as many as ploughs entered in competition. Numbers on slips of paper corresponding to those on the pegs, are drawn by the competing ploughmen, who take the lots as drawn. Plenty time is allowed to finish the ploughing of each lot. Speed is not as important as the quality of execution. Generally, the judges are brought in from outside the immediate locality, so that they can have no personal interest in the exhibition.  

The fact that the annual Largo event started in 1846 and continued for the immediately following decades had much to do with the arrival of Lilias Dundas Calderwood Durham at Largo House in late 1845. She supported the event by giving towards the annual prize money (this was one pound annually as a donation in the 1840s). From the start, and for many years, her overseer, Archibald Smail was the secretary to the society. The 13 November 1845 Northern Warder piece below tells of the "festive rejoicings" upon her arrival at her "patrimonial mansion" and the lighting of a large bonfire at the top of Largo Law to mark the occasion. As well as the main prizes, there was a junior section of the competition for those under 18 years of age.

The main image used on this post is of a ploughing match held locally. Thought to be at Buckthorns around 1910, the photograph shows how well-dressed the horses were. Prizes were often given for the appearance of the horses as well as for the skill of the ploughing. For example a prize might be awarded for best kept harness. Prizes for this tended to be of a practical nature - such as whips or leggings. The Largo District Ploughing Society eventually ceased - to be replaced with organisations that covered a wider geographical area - such as the East of Fife Ploughing Union and later the Fife Ploughing Society. The nature of the ploughing changed over time of course with the increasing mechanisation of farming. However, ploughing matches can still be seen up and down the country - often showcasing vintage machinery.

Lower Largo of the 18th century would have looked quite different to present day village. The painting above gives a good impression of the thatched and pantiled buildings, of various shapes and sizes, constructed from local stone and crowded into the available space. In the background of this view, the former Largo Relief Church would have stood. This was the church that preceded the 1871 former church building on Main Street.

The origins of the Largo Relief Church date back to a vacancy at Largo Kirk in Upper Largo in 1768 which led to the controversial appointment of Reverend David Burn. The portion of the congregation that were strongly opposed to this choice protested by leaving the church. These folk initially met in the open air to worship as an independent group but in 1770 they applied for (and were granted) pulpit supply from the Relief Church of Edinburgh. Soon afterwards, the newly formed congregation were given land from Mr Durham of Largo House upon which to erect a Church. Work soon began on the church building marked 'U.P. Church' on the 1866 map below.

This church would have been a simple rectangular structure, with entrance porch and internal balcony. The reminiscence below (which appeared in the 18 November 1884 Dundee Courier) tells of how the construction of the church was very much a community affair. Materials for the building were gathered from the beach by men, women and children, to supplement the mason's supplies. The total cost came to a modest £18 4s.

The building of the church was swiftly followed by the construction of a manse for the minister, the Reverend Robert Paterson, which still stands at 23 Main Street (pictured above). This would have originally had a thatched roof. A forestair to the rear provided access to the upper floor. For a long time this would have been one of the highest status dwellings in the village. 

The previous post about Largo St David's Church mentioned how, at the time when the old Relief Church building was dismantled, the remains of a former minister had to be removed from the site. This referred to the third minister of Largo Relief Church, James Gardiner, who held the position for 38 years, from 1805 until his death in 1843. He succeeded Rev. James Stuart who died in 1803.

James Gardiner was born around 1782 in Stirlingshire. The year after arriving in Largo, he married Dysart-born Elizabeth Ramsay. The record of their marriage is shown below. Their first child, Catherine, was born in 1807, followed by Robert (1809), Janet (1811), Isabella (1813) and James (1816). At the time of the 1841 census (the only one in which James appears), James is described as a clergyman, living with wife, Elizabeth and two daughters, Catherine and Isabella. Janet had died in 1828 aged 17. 
​

During his 38 years as minister Reverend Gardiner would have witnessed many events among his congregation - births, deaths and marriages. He would have presided over many special occasions, including the example above of a soiree held in the church (or 'meeting house') in 1838. As he aged, an assistant and successor was sought and from 1840-41 Rev. Gardiner had a co-minister - Rev. James Hamilton. However, this succession plan did not work out and Hamilton left Largo. Gardiner remained in post until his death at the Relief Manse on 28 February 1843. At his request, he was laid to rest within the church that had been so central to his existence for most of his lifetime. A tribute to him was recorded in the Session Minutes - remarking on his faithful and devoted service:

"He preached, as he felt, he lived as he preached, and he died as he lived in the firm and blessed hope of a glorious resurrection."

Gardiner was followed by Reverend Bryce Kerr who was ordained one month after the death of Gardiner. However, he died only eight months later, at the young age of 27 years (on 25 November 1843). Throughout the 1840s, there had been much discussion around the proposed union between the Relief Church and the United Secession Church. This came to pass in 1847, when the United Presbyterian Church was formed and the church at Lower Largo took on that name. 
​

In 1852, the now U.P. Church underwent refurbishment, as the 6 May Fifeshire Journal reported. The building was 80 years old by this point and in spite of these "considerable repairs", including the installation of new iron pillars to support the balcony, the church's days were numbered. Two decades after the repairs, the church building closed for good and was dismantled. The 18 July 1872 Fifeshire Journal used phrases such as "very ugly" and "tumble-down" to describe the old church. However, the fact that it had endured for a century and seen nine ministers serve the community that had played such a key role in its construction makes it a remarkable building in my opinion. 
​

​The architect of Largo St David's Church was a prolific designer of churches across Scotland, known to have designed more than eighty of them, among other buildings. However, the Lower Largo church is an example of his work that does not feature in the list of buildings and designs credited to him in the Dictionary of Scottish Architects - here. His role as architect of Largo's former United Presbyterian Church seems to have been missed by archivists. Yet, the Fife Herald (16 March 1871) above tells how Baldie's plans for a "plain, neat and commodious" church were approved by the church committee. The new church would be aligned north-south, in contrast to the east-west facing old church that it would replace (which stood where Downfield now stands).

Baldie had already designed a number of churches for the United Presbyterian Church by 1871, including some in Fife. The new church was opened the following year, as reported in the Fifeshire Journal of 25 July 1872 below. The piece also notes that Baldie's plan had been drawn up "some years ago". No doubt it took time to raise the necessary funds to execute the plan. The main builder of the ediface was Mr Given (an Elie mason), with a number of unnamed experienced workmen taking on the rest of the labour. The remains of a  former minister, Rev. James Gardiner, had to be removed from the old church and reburied in Dundee. The foundation stone of the new building was laid by Provost Patrick Don Swan of Kirkcaldy, a flax merchant, shipowner and shipbuilder.
​

Although described as 'plain', the church was adorned with some modest detailing. This included the initials D.M. to denote the then minister, David Malloch, and date 1871. A few basic rose and gothic triangle shaped windows are present (see some of those features in detail below). The fish motifs in the stained glass windows that can be seen today were likely a later addition, as these are not mentioned in the 20 July 1872 Fifeshire Advertiser description of the windows below. 

The most striking feature of the church (certainly when viewed from a distance) was a tall bellcote (now long gone) which once dominated the streetscape. Eventually becoming unsafe, this feature was removed and the bell which it housed moved to the rear of the building after a fundraising drive to pay for the work in the 1960s. The bell was gifted by Alexander Hogg and was more than likely made at the Gorbals Brass and Bell Foundry in Glasgow, which was Scotland's only ever industrial scale bell foundry, casting over 3,000 bells in its 90-year history.

Architect Robert Baldie was born in Stirling in 1824, the same year as David Malloch. Like Malloch, he moved to Glasgow in the 1840s. He was described as a joiner in the 1851 census - just before he married Ann Lennox Fraser the same year. Establishing his architectural practice in the early 1860s, he quickly gained a reputation for designing churches and manses across Scotland including Glasgow, Argyll, Perthshire and Fife. One of his Fife churches was the U.P. Church on Leven's Durie Street (latterly St Peter's R.C. Church). In fact, construction of the Leven and Largo churches overlapped, with the Leven church being completed first and opening in September 1871. Its builder was John Morrison of Glasgow, according to the Fife Free Press  of 23 September 1871. Both Leven and Largo U.P. churches were designed in a Gothic style of architecture and both were compact, street-fronted churches in pre-existing tight spaces.

Indeed, many of Baldie's United Presbyterian churches were built at relatively low cost with minimal detailing and were gothic revival in style. When comparing Baldie's other church designs from a similar date, similarities can be seen. For example, the gothic style main entrance, flanked by small lancet windows and a large gothic arched window above the door. There are variations in the detail of those features and some designs had the addition of a porch, belfry or spire. Clockwise from top left in the composite image below are:

Largo St David's (sketch by Mr J.H. Williams) (1871)
Leven U.P. Church (later known as St John's U.F Church and then St Peter's R.C. Church) (1870)
Carnoustie U.P. Church (1872)
Saltcoats Free Church (1869).

A long (but not comprehensive) list of Baldie's work appears in the Dictionary of Scottish Architects. Some of his churches were at the grander end of the scale, reflecting the wealth of the congregations which commissioned them. Below for example is Govanhill U.P. Church and further below the spired pair of churches - St Kessog's in Calendar (left, which later became a Tourist Information Centre) and Pollockshields Church (right).

Robert Baldie did design buildings other than churches and manses. His largest commission was the impressive frontage for the Carron Company Iron Works in Falkirk (1876) with ornamental clock tower above an archway entrance (see further below). The crow-stepped tower was originally the centrepiece for a 53-bay frontage, behind which were offices, a warehouse and a workshop. Only the archway and clocktower still survives today. He also undertook some overseas works, largely connected with church mission work. He designed schools, churches, hospitals and houses in places such as Spain, China and various parts of Africa.

While researching the history of South Feus, one name that cropped up frequently in the early history of the street was Hogg. Alexander Hogg (1807-1870) was a village blacksmith for many years. He was the ninth of thirteen children of Alexander Hogg (manufacturer associated with the linen trade) and his wife Elizabeth Grieve. Alexander the blacksmith lived and ran his business at the west end of South Feus and round the corner next to the hotel (see 1854 map below where his blacksmith shop is circled). This was an ideal location for such a business - right on the main routes to St Andrews and the East Neuk from Leven and close to Largo House.

With the horse being the essential means of transport, the blacksmith was a key village craftsman. Aside from the manufacture of horse shoes, the blacksmith's forge would produce a wide range of implements for domestic, agricultural and other use. Many blacksmiths were also wheelwrights. Blacksmith's shops often descended from father to son but this was not the case with Alexander Hogg. His eldest and only surviving son, Alexander, had an alternative career in mind. So after Alexander senior's death in 1870, the family premises passed on to his daughter and son-in-law and were repurposed into a joiner's workshop.

Alexander's middle daughter of three (Elizabeth Hogg) married Peter Broomfield the joiner. Elizabeth had left Largo to become a domestic servant (cook) in Edinburgh's New Town and likely met the Midlothian-born joiner during her time there. The pair relocated to Largo and began the joinery enterprise in Kirkton - the legacy of which continues to this day (there is still a joiner's workshop on the site (see image further below)).

So, what path did Alexander Wallace Hogg take? His career choice led to success but took him away from Largo. However, he never forgot his roots. By the time of the 1851 census, aged 16, Alexander was working as a grocer's assistant in Newburgh. From there he went on to serve an apprenticeship with a grocer’s firm in Perth. Later, he was then engaged by the firm of ‘Messrs John Beattie & Co.’ sugar brokers of Glasgow. In 1856 he married Agnes Turnbull and in 1858, he formed a partnership with John Myles to trade as commission and produce brokers. At the time of the 1861 census Alexander was a 'sugar merchant' living in Hospital Street, Govan, and he had two sons, the eldest also named Alexander Wallace Hogg. When John Myles died in 1867 at the young age of 33, the business partnership was dissolved (see notice below from the Dundee Courier of 30 August 1867).

By 1871, the family had grown to six sons and one daughter and they were now living at Elgin Villas in Shawlands and had three domestic servants. Two years earlier, Alexander had created a new firm in the name of ‘Alexander Hogg & Co,’ based at 60 Virginia Street, Glasgow. This firm would become recognised as one the of the most extensive in its dealing in British and foreign refined sugars. In 1872, Alexander Hogg acquired the Dellingburn Sugar Refinery in Greenock and the business was conducted under the firm of ‘Hogg, Wallace & Co.'. The family home in Shawlands was named 'Largo Villa' in recognition of Alexander's birthplace. Now number 1331 Pollockshaws Road, the house as it is today is shown below.

​
Greenock at the time had a number of sugar refineries. Along with shipbuilding and wool manufacturing, sugar refining was a significant employer in the town. Greenock is the birthplace Abram Lyle of Tate and Lyle - which became the most successful of the refineries. Alexander Hogg's firm was successful too and in 1880 he was able to purchase a beautiful marine summer residence known as Ardenlee set in four acres near Dunoon (see advertisement from 28 April 1880 Glasgow Herald). Just like another 'Largo Villa' owned by a native of Largo, this building later became a care home. In the census of 1881, only the youngest child, Agnew, was at home with Alexander and Agnes at Largo Villa, along with three domestic servants. The older children were all staying at Ardenlee with an aunt and other servants.

Over the years, Alexander hadn't forgotten his family in Largo and the place of his birth remained important to him. In 1872, he presented the congregation of Largo St David's Church (then the United Presbyterian Church) with a bell to hang in the small belfry atop the south gable, upon completion of the new church. In 1879, upon the death of Thomas Hogg of Lundin Mill, he had paid back the amount that the Largo Parochial Board had spent on the care of his late uncle (see piece below from 13 March Fife Herald).
​

South Feus in Upper Largo is described as "a quiet byway of diverse, early 19th century properties, which enjoy the open view south across the Forth" in Glen L. Pride's 'The Kingdom of Fife: An Illustrated Architectural Guide'. However, this is not quite an accurate statement, as the oldest house on this street dates to 1790. Many properties are indeed early 19th century but others are of a different age. The top black and white postcard image above shows the west end of South Feus around 1900. The most obvious change, when looking at the same view today, is the invasion of parked cars.

Although the street features several architectural styles, a number of the houses share the distinctive feature of drum-shaped dormer windows (also found on a few Main Street properties). These are typical of the late Georgian period. Daniel MacCannell's 'How to read Scottish Buildings' tells us that "dormers that are round or oval (if viewed from directly above), each containing one standard sash window and slated around the rest of their circumference, are very frequently seen on Edinburgh buildings from the end of the eighteenth century". These remained in fashion until around 1840 when bay fronted dormers became the norm. So the properties with those features are most likely early 19th century.

When viewed from the south, you can appreciate variety of architectural styles that make up the grouping. The 'Upper Largo Conservation Area Appraisal and Conservation Area Management Plan' drafted by Fife Council in 2012 states that:

"In the early 1800’s growth occurred in response to the ferry at Lower Largo and later the railway station and its resort status together with adjacent Lundin Links. The villas and house along South Feus are a reflection of this. The 1861 Parochial Directory for Fife & Kinross notes: ‘Both Lower and Upper Largo are favourite resorts as sea-bathing quarters, a number of the inhabitants letting out a portion of their premises to summer visitors.’"

This suggests an early phase of development triggered by the establishment of a regular steam boat ferry service in the early 19th century and a later stage of new building on the back of the 1857 arrival of the railway.  However, the first dwelling on the street predates both of those events. Back around 1790, the house now known as The Grange, but formerly known as Bayview, was built for Adam Wilson. Wilson was the factor for James Calderwood Durham (1732-1808) of Largo House. The role of factor was basically to undertake the day-to-day management of the estate, often overseeing improvements, as well as ensuring the repairs and maintenance, collection of rent, etc were carried out. It was a position of some standing and in this case the factor was given a home in-keeping with the importance of the role.

There is a memorial stone to James Calderwood Durham in Largo Kirk, stating that he had "for many years directed the improvements of this county". His factor Adam Wilson would have facilitated many of those improvements. In 1800, Wilson married farmer's daughter Christian Edie but their union was to be short lived. Adam Wilson died the next year and was buried in Largo Churchyard on 30 September 1801. Christian went on to live to the age of 93, passing away in Upper Largo in 1866.

By the time of the 1854 Ordnance Survey map of Upper Largo (above), Bayview (now The Grange), in its sizeable plot, in the centre of the street (by the '150' contour line), had been joined by other houses on each side. Those included Largo Cottage to the west (left) with ground stretching back to the Main Street; and to the east (from left to right) Southview, Seafield and Carlton. There is evidence that many of these early homes would have originally had thatched roofs. Thackstanes can still be seen below several chimneys​. ​Known as 'New Feus' for a time after this phase of development, the name had evolved into 'South Feus' by the 1870s, although sometimes the term 'The Feus' was also used (as was the case in the 1891 census).

Carlton, 8 South Feus, was so named after the birthplace of Emma Clayton - i.e. Carlton, Huddersfield, Yorkshire. She was married to Robert W. Clayton who owned this property as well as Hallwells in Lundin Mill. Their son was William Clayton, a marine engineer, who died in WW1 and was married to Jessie Clayton, who began La Scala cinema after she was widowed. La Scala was run by her sons Bill and Thomas Clayton for many years. The gable end of Carlton can be seen in the postcard image below, looking west along South Feus.
​

A later addition to the street was the building on the right of the above image - St Leonards. South Feus had long been home to the village doctor, with Dr George Lumgair settling there in the 1840s at Largo Cottage. He lived out the rest of his life there and his wife Frances died at Largo Cottage in 1900. Lumgair's assistant Dr Stuart Palm married his daughter and had St Leonard's built in 1880. Palm became the village doctor after Lumgair's death in 1884 and remained so until his own death in 1908. Palm's successor Dr William Eggeling also resided at St Leonard's. Another late 19th century building, which filled a gap to the west of Largo Cottage, is Viewfield (number 20), dated 1893. 

The newspaper piece below from 30 September 1908 tells of a day of celebration on South Feus. The newly installed doctor, Dr Eggeling, returned from his honeymoon with his wife Ellis Mitchell Wood. The couple were given "a right royal reception", their house was decorated with bunting and a crowd of well-wishers awaited their carriage. That evening the brass band marched along South Feus.

South Feus is said to "turn its back on the village to enjoy the uninterrupted views south across the Firth of Forth". Its elevated position with expansive views of Largo Bay made it a popular place for summer visitors to stay and the address often features in the newspaper archive lists of visitors coming from places like Edinburgh and Glasgow to enjoy the sea air. However, rather than turn away from the village, this street and its residents has always been an integral part of Upper Largo, being home to many people key to the local community from the estate factor, to a series of village doctors, and several local joiners. Peter Broomfield and his son Agnew Broomfield lived at the west end of South Feus, as did the Donaldson joiners in more recent times. The 1964 map of the street, below shows the properties in more detail. What the map conceals is the two centuries of village history connected to this short row of buildings.
​

Postscript: Many thanks to John Band for leaving a comment pointing out that there is a blocked up access point to Largo House opposite the west end of South Feus (shown in the annotated photograph below). This would have allowed Adam Wilson (and subsequent factors) easy access from their own home on South Feus.  Look out for it next time you are passing!

Manderlea is a substantial building on Links Road, Lundin Links, overlooking the 18th green of Lundin Golf Course. The above postcard view shows Manderlea in the inter-war years. Note the many large windows facing towards the sea. Below is a photograph showing the building today (on the far left), next to its neighbours to the east. Like several other large dwellings in the village, it began life as a boarding house, before being restyled as a 'private hotel' and ultimately undergoing conversion into flats.
​

Back in 1905, when Lundin Links was experiencing a spell of development, as a fashionable summer resort, a Mr Robb commissioned Walter Horne to build an eight-bedroomed house immediately to the west of Westhall (a villa built in 1894 which had stood alone for a decade). The small insert from 11 August 1905 East of Fife Record below pinpoints the date.

​The work on this house kept Mr Horne's men busy all through the following winter and an update appeared in the 15 February 1906 Leven Advertiser (below) as the work neared completion. This specified that the house was to be a boarding house to be run by Miss Robb. In fact, the establishment was run by sisters Janet Dall Robb and Mary Ann Robb. They were the daughters of ploughman James Robb (who was born in Kilconquhar but whose mother Janet Dall was from Largo).

​The sisters had previously worked in domestic service in Edinburgh but some change in fortune seems to have enabled them to establish their own enterprise. Manderlea was ideally situated, close to the station, the golf links as well as the beach. The Misses Robb remained at Manderlea throughout the First World War, although it was unclear how the boarding house was used during that period. Perhaps the premises were used as accommodation for soldiers, as was the case at nearby St Catherine's and Fir Park. However, soon after the war ended, the boarding house passed into new ownership.
​

Interestingly, the electoral register of Fife for Spring 1920 shows both Mary and Janet Robb and future owners of the boarding house, John and Jane Balmer, living at Manderlea. After this brief handover spell, the Robb sisters moved on. John Balmer and his wife Jane (nee Short) became long-term proprietors of Manderlea. The advert below appeared in the 1925 Post Office Directory.

The Balmers had married in 1904 at Coates House in Newburn, where Jane had been born in 1880. Her Dorset-born father William Short had long been the gardener there. John Balmer was born in Westmorland Cumbria and it was there that the couple initially settled there after their marriage. Eldest daughter Nora Jane Fernie Balmer was born there in 1907, followed by second daughter Phyllis in 1909. At the time of the 1911 census, John was a 'confectioner' in Cumbria.
​

Several years later, the family returned to Jane's Largo roots, where John and Jane ran Manderlea for the rest of their lives. Over the decades many visitors enjoyed their hospitality and the view from Manderlea. During the Second World War Polish soldiers were billeted at Manderlea, as they were at other large houses and boarding houses in the village, such as Lindisfarne. The Misses Balmer became regular attendees at the Scottish-Polish Association events, held from the 1940s onwards.

John Balmer died at Manderlea on 17 November 1954 aged 75, with Jane passing away just two months later, also at Manderlea, on 14 January 1955 aged 74. While daughter Nora went on to marry in 1956, to Robert Gemmell, younger daughter Phyllis remained at Manderlea and was still living there when the large house was converted into five flats and renamed 'Manderlea Court' around 1974. Phyllis died in a car crash on the Leven to St Andrews road on 5 August 1989, aged 79. Nora had died in 1984 aged 76. A few years ago two of the Manderlea Court flats were combined back together. Below are images of the building from the 1970s (in black and white) and as it is today, looking very fresh and modern for a building that is now well over a century old.

Last year, this blog ran a series of posts covering the history of Largo Baptist Church. At the time, the church was out of use and its future seemed uncertain. Since then, an exciting new chapter has begun for this 1867 building. So now, let's bring the story of Largo Baptist Church right up-to-date, and introduce those of you that don't already know about it to - The Aurrie!

First, a quick recap on the story of the church from its eighteenth century origins until its final days as a place of worship - click the links below to view the earlier posts:

lundinlinks.weebly.com/blog/largo-baptist-church-beginnings
lundinlinks.weebly.com/blog/largo-baptist-church-part-2
​https://lundinlinks.weebly.com/blog/largo-baptist-church-part-3
lundinlinks.weebly.com/blog/largo-baptist-church-part-4

In December 2020, it was formally announced that the Largo Baptist Church building had been secured as an arts venue and café. Carol and Andy Duff had purchased the building from the Baptist Union of Scotland in order for it to be used for the benefit of the community. The building was renamed "The Aurrie" which is the old Scots name for "area" and is regarded as the root of the many spellings of the slipway road adjacent which runs down to the beach. Over the years this space has been used for various purposes (including boat storage and car parking) and has been referred to as the Orry, Orra, Orrie and Awry, among other things. Given the range of spellings over time, it feels appropriate that this building references the original auld Scots word "Aurrie" from which all the variations of spelling stemmed. 

Located at 68 Main Street Lower Largo, a stone's throw away from the beach, the century and a half old building is flourishing in its new guise. Having undergone essential repairs and a facelift inside and out, the place looks fresh and inviting. The interior has been painted in shades of green, complimenting the beautiful stained-glass windows. Even the chairs echo the green, red, black and white of the window hues. Opened on 17 July 2021, just in time for Largo Arts Week, the venue couldn't have launched at a busier time in the village and was able to host live music within days of opening. 

While Andy and Carol are still involved in projects, the day to day running is now down to Helen Ross and David Peacock. They are keen to grow their range of quality and Scottish/Irish inspired fare started at Lily’s Larder. Helen and David are both committed to the community aspects through supporting local artists and hosting events at The Aurrie. “We see this as just the start of what can be an amazing asset for locals and grow Lower Largo as a destination for visitors” said David.

It's such a transformation from the days of pews packed with churchgoers, of sermons from the pulpit and hymn-singing. Yet, the re-invented space will still host groups of people, talks, music, social occasions and much more - providing the community with a service of a different kind. Gone may be the days such as the one below from circa 1980 when the Fife Baptist Woman's Auxiliary met in the church, during the tenure of the Reverend Joseph K. Campbell (Photo courtesy of Barbara Yardley).
​

The above image appears in the book 'Largo - An Illustrated History' by Eric Eunson and John Band and shows Walter Horne (on the far right) and the local team of joiners that worked with him. They are standing in front of their workshop, which was originally the panhouse of the former salt works at Drummochy.

In an effort to establish who the other individuals in the photograph are, I ran a search on the 1901 census for Largo Parish on the keyword 'Joiner' and found a number of candidates. Ruling out the retired joiners, joiners working on outlying areas such as New Gilston or Woodside and those based in Kirkton of Largo (such as Agnew Broomfield), there is a short list of 24 men and boys. Mostly living in Lower Largo. So the list below offers potential matches for those in the image. Certainly some of those on the list will be in the picture (most probably some of the other Hornes listed). If you think you can identify any matches - please leave a comment.

Walter Horne was still noted as the proprietor of the Drummochy workshop in the 1940 Valuation Roll. He died in 1941 at the age of 77, however, 'Walter Horne and Son Joiners' were still listed as proprietors in 1950. Meanwhile, ​Alexander Gillies Tait, son of joiner David Tait (and an apprentice joiner at the time of the 1901 census above), went to on become a master joiner and also had a Joiner's Shop at Drummochy for many years. When Alex Tait turned aged 70, he was obliged to place an advert in the 5 December 1956 Leven Mail, following rumours of his retirement (see below). The workshop building (seen from a different perspective in another HES image below) survived until the late 1960s before being demolished and the site rebuilt upon. Alex Tait died in 1970, aged 84, having provided joinery services in Largo since his mid-teens.

As a follow-on from the previous post about the Port of Drummochie, and the heyday of the salt pans there, we can look in more detail at the visible evidence of the old structures around this area. First, for context, a map comparison (above) of Drummochy in 1964 (top) and a feuing plan of the same area from around 1840. Numbered on both maps are:

1. The site of the former Emsdorf School;
2. The Salt Panhouse on the 'Panbraes';
3. Drum Lodge;
4. Salt Girnel (later known as Net House).

These landmarks and others are also annotated on the map below of Drummochy Salt Works from the book 'Largo - An Illustrated History' by Eric Eunson and John Band. This also shows how the pair of skerries of rock directly in front of the panhouse would likely have been dammed to create a 'bucket pot' (basin). Here the sea water would have been held when the tide was out, ready to be drawn up into the panhouse for boiling. More about the salt production process can be read about here.

The aerial image above and the ground level images below show the remains of the harbour structure. Much of the original stone would have been recycled into new building works long ago.  The former 'Pan Braes' became known as 'Massney Braes'. Unable to find any definitive origin or meaning for the word Massney, I wonder if there is any connection to stone masons using this area as a source of material. Opinions welcome on this idea - or evidence of an alternative meaning to the name. It's certainly the case that stone has taken from this area of shore by masons. In 1880, legal action was taken to stop Thomas Tivendale, mason, from "taking stone for building purposes from the seashore opposite Mr Macrae's property". Mr Macrae was Colin George Macrae W.S. of Drum Lodge.
​

Above images show specific detail of the old harbour of Drummochie, captured at a time when there was less sand covering the area. The image on the left is the base of the sloping revetment of the harbour entrance (looking back towards Drum Park). The photo on the right is the end of the pier section which projects from the Lundie rocks.

Another historic feature in this vicinity is the man-made extension to the end of the Lundie rocks. Built around the 1830s, in the pre-railway days of the steam boat services, this low-water pier allowed boats to dock, embark and disembark passengers and goods, whatever the state of the tide. The flat platform of cut rocks can still be seen at the Lundies southern tip. The two images above show this from the ground and below is the same area from above. Remnants of iron fixings in the rock indicate a walkway with a bannister once would have assisted passengers from the boat to the shore.

Enjoy a short drone video clip ending at the former Drummochy Harbour here: https://youtu.be/HzIW_B2jxbk

​The "Port of Drummochie" was once of greater importance than the harbour we now know as Largo Harbour. Located in the above aerial image to the left of the Lundie Rocks (the natural strata seen in front of the viaduct), the remnants of this former port or harbour can still be made out, at low tide, as distinct bands of rubble. The circa 1750 Roy Military Survey of Scotland map (below) clearly indicates the symbol for a harbour or port to the west side of the point where the Keil Burn flows into Largo Bay. It was here - on the Drummochy side of the burn - where three salt pans also once operated.

The advert below from 1 July 1771 Caledonian Mercury mentions the "port" right at the start of the description of the Lundin estate, emphasising its importance and later notes that there were "three salt pans adjacent". A similar advert from 1773 elaborates on the description of the harbour at Drummochie, stating that it "is of easy approach and can be made capable of receiving ships of considerable burden at moderate expense".
​

Drummochie or Drummochy has had several different spellings over time. It was made a free burgh of barony in 1540 and was then known as Drummoquhy, according to the above extract from the 'The Arms of the Baronial and Police Burghs of Scotland' (1903). Below is the 'Place Name Data' for Drummochy and further below is a piece from 1819 Topographical Dictionary of Scotland stating that, by then, the harbour at Drummochy (and salt works) had been "destroyed".

The demise of the harbour at Drummochy was linked with the end of the salt industry at the site. The 4 September 1784 Caledonian Mercury notice below shows that the three salt pans themselves were put up for sale along with coal fire engine. This sale (four decades after the start of the salt works at Drummochy) was overseen by Ebenezer Coutts, the bailie who lived at what is now Drum Lodge. The loss of the salt industry, plus the existence of the more natural Largo Harbour adjacent, must have meant there was no incentive to maintain the manmade harbour of Drummochy. 

Below are two more aerial images and a view from the ground of the remnants of Drummochy Harbour. Note the two significant areas of boulders, although no doubt many parts of the original harbour structure have long since been reused for other construction purposes. While it's great that some physical evidence of the old port remains today, it would be good to unearth more written information about the harbour in its working days. If you have any information about the former Drummochy Harbour, please comment.
​