The six-part BBC Scotland drama series 'Tutti Frutti' (which follows the fortunes of rock and roll band 'The Majestics') is currently being shown again on TV. Many will know that Episode Two of the series was partly filmed in the Lundin Links Hotel in the summer of 1986. The above photo shows cast members Stuart McGugan, Harriet Buchan, Maurice Roeves and Jake D'Arcy taking a break outside the front entrance of the hotel. First broadcast on 3rd March 1987, the series also starred Robbie Coltrane, Emma Thompson, Richard Wilson, Katy Murphy, Ron Donachie and Fiona Chalmers.

​​Below are a couple of stills from the second episode, 'On the Road Again', showing 'Vincent' at the hotel foyer and staircase. Alongside these stills are two promotional shots of the hotel for comparison. Note that, for the purposes of the show, the foyer was made smaller by boxing in the area to the left where the ornate pillar is. Presumably the hotel had to be made a bit less elegant to be in-keeping with band's budget.
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The images below show some of the cast in the 'lounge', off to the right of the entrance hall. This room was opposite the reception/office (see floor plan at the foot of this post). Robbie Coltrane's character famously wore a silver lurex suit in this episode - ready for the band's performance at Denbeath Miner's Welfare Institute. Incidentally, Coltrane was no stranger to the area, as his mum lived in Largoward.

The series, written by John Byrne, won six BAFTAs in 1988. In 2006, Byrne re-wrote it as a stage play. Finally, after years of music licensing issues which prevented its re-screening on television, the series is being rerun on BBC Scotland - catch it quick on iPlayer. ​Episode 1 is due to drop off iPlayer in a matter of days, although the series is also available on DVD.

Back in the Summer of 1970, a 'Grand Opening' took place of a new enterprise on Emsdorf Street in Lundin Links. The Yellow Carvel offered food and dancing in what had formerly been La Scala cinema. Named after Admiral Sir Andrew Wood's ship, the opening was reported in the East Fife Mail as follows:

"A new entertainment centre for all age groups opened last week in Lundin Links. The 'Yellow Carvel', the brainchild of Mr Ian Addison, was launched with a buffet dance on Friday. Mr Addison has converted what was the La Scala cinema into a centre which will provide entertainment ranging from the latest on the pop scene to folk singing and a village hop. It will be open Tuesday to Saturday inclusive with a different programme each evening and during the day it will be open for coffee and other refreshments."

Mr Addison felt there was a need in the community for such a venue as there was little for locals or visitors to do. Tom Clayton the former La Scala owner, who had a wealth of experience on providing entertainment locally, had been helpful during the preparation for the opening of the Yellow Carvel. The venue's original weekly programme was a discotheque two nights a week (Wednesdays and Saturdays), dancing to "Fierce" on Tuesdays, folk singing on Thursdays and a village hop on Fridays. Timings and prices are shown in the advert below.

The opening buffet dance attracted more than 200 guests. However, the 'Yellow Carvel' name continued only until 1972, when it was rebranded as 'Seaway'. Below are a range of adverts for 'Seaway' from the mid 1970s. Note the wide range of live acts that performed there. Hogmanay 1975 saw the well-known jazz musician Chris Barber perform with his band. 

Finally, the architect drawing further below, dating from 1981, shows the front of the building annotated with proposed alterations. Soon afterwards, another re-branding of the venue took place, when it became the 'Admiral's Bell'. 

The above photograph shows the Slee family of Edinburgh on holiday in August 1933, with part of the Temple visible in the background. The family came to Lower Largo annually from the early 1930s until the Second World War. Their visits began when the children had whooping cough and the doctor suggested some sea air. A book named "Two Generations of Edinburgh Folk" by Dorothy Slee (1993), describes the holidays as follows:

"Granny rented a cottage at Largo for us for a month and it was such a success that we returned there annually for six or seven years. The little rented cottages were at the far end of the village of Lower Largo, just across a narrow road from the beach. Happy and carefree, we spent more of our time on this beach - building sand castles, paddling, looking for crabs in the rocks, or floating in a large rubber inner tube".

The book was part of the 'Flashbacks' book series designed to reveal the daily lives of individuals in the context of their own time and place. Dorothy worked at the National Museums of Scotland who co-produced the series. The concept of the series was that everyone can contribute to the "total sum of knowledge of human history" and that "local and personal history" should be set alongside political and other kinds of history.
 

The second photograph above shows some members of the family sitting outside their rented cottage. It has since been demolished and replaced by the modern home that is now 5 The Temple. You can recognise the neighbouring house (number 7) which looks the same today.  Later in the Dorothy Slee's book there is a description of the entertainment on offer in Largo at the time:

"At the other end of the village by the Crusoe Hotel there would be pierrots and a Punch and Judy show to visit, where we would stand enraptured by the strains of "Oh, oh, Antonio" or "Why am I always the bridesmaid never the blushing bride?"....We would sometimes climb up Largo Law and always have a picnic at Shell Bay which meant a trek along the beach laden with picnic gear and, most importantly, Grandpa hugging the large yellow melon."

Below is the spot where the above photo was captured - the group sat by the low wall in the left hand foreground.

This set of four poignant colour photographs show Largo Station mid-demolition back around 1970/71 (can anyone put a precise date on this?). Many thanks to Russell McLaren for kindly sharing these images, which were taken by his father. The family lived overlooking the station and were regular users of the train service. The photographs are taken from Station Park looking towards the sea, with the original 1857 station building in the foreground (partially demolished) and the later 1894 building on the far platform. Prior to demolition, the buildings had been stripped of valuable materials such as the roof tiles. Having closed in 1965 (the final passenger service running on 5 September) the station had sat derelict for a few years. By 1968 discussions had begun on converting the Largo Station site into a car park, with a view to reducing congestion on Main Street. This eventually came to fruition and the car park remains in use to this day. 

Below are a couple of images of Largo Station while still in use. Operational for more than a century, the station was once know for its well-kept gardens and attentive station masters - a great facility for locals and the start and end point of many a day trip and holiday. If you have memories or images of the station - please do get in touch. In the next post - details of the demolition of Lundin Links station.

I adore this photograph, which was kindly shared by a reader of the blog. It features a smiling young girl, barefoot on the pier, enjoying a Largo summer in the late 1940s. Two very well-dressed ladies and a boy are sitting on the side of the pier. There are another eight or so people in the background - many of them ready for a dip in the sea. The tide is in and there is a rubber ring balancing on the wall. 

The Crusoe Hotel, which would probably have been full of visitors, has its upper windows open to let in the sea air. I would love to be able to step into this scene and explore the village at that time. If that were possible, then I'm sure I'd be just as happy as the girl in the picture!

The crowded beach scene above is Lundin Links at Massney Braes. Back in the very early 1900s the village was a fashionable "rival to the established and flourishing watering holes of Elie and St Andrews". According to the Dundee Courier (25 June 1903) "the attractions of the neighbourhood continue to draw large numbers each year so that a little town of seaside villas has sprung up on the magnificent feuing ground of Lundin". 

The attire worn by the beach-goers is similar to that worn in photos from a previous blog post at Seaview in Lower Largo - note the wide brimmed hats that children are wearing, the blouse and skirt combination favoured by the ladies and the popularity of smart hats and parasols. Although bigger and fancier hats would be worn in the evenings and for special occasions, the lady in the foreground with her back to the camera (see foot of post) is still wearing a pretty impressive piece of headgear for a day at the beach. 

There are a few beach huts in the dunes to the right of the image. While some folks might have stored their belongings in their own hut, many seem to be at the beach with minimal 'stuff' - no chairs, rugs or picnics. Most were probably staying a stone's throw away at one of the many boarding houses or hotels. There would also have been a good choice of tearooms and places to find refreshment within a few minutes walk. 

In the detailed image below, a row of little sand castles can be made out. There are a couple of people half buried in the sand towards the lower left hand corner. And a group of ladies are enjoying a chat in the centre foreground - I wonder what they were discussing!

The building at the right in the above photograph is 'Craigiebank' or 'Craigie Bank' in Lower Largo. The name is taken from the Craigie family that lived on the site during the 18th and 19th centuries. The Craigies were predominantly hand loom weavers and the plot that Craigie Bank was built upon was probably used as a bleaching green. The last of the family was weaver Janet Craigie, who died unmarried in 1881 at the age of 85. The informant of her death was neighbour and master joiner Andrew Blyth Masterton. The son of weaver George Masterton, by the age of 20 Andrew was a carpenter. It seems likely that Andrew Masterton was involved in the construction of Craigie Bank. He was its first owner and the Mastertons owned the property and others nearby for many decades.

Having married Margaret Thomson of Perthsire, Andrew Masterton's first child, Catherine, was born at 'Marine Villa' (the house immediately east of Craigie Bank) in 1873. By June of 1877, Craigie Bank was advertised for let (see 29 June Scotsman above), as was Marine Villa. So it would appear likely that Craigie Bank was built between 1873 and 1877. 
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In 1881 Andrew Masterton (then described as 'master joiner employing 2 men and 4 boys') was living at Craigie Bank with his wife Margaret and daughter Catherine. Ten years later the three were still recorded as living at Craigie Bank but Andrew was now noted as a 'retired joiner', aged 50. In the 1885 valuation roll Andrew was listed as proprietor of ten properties in Largo Parish - including the Belmont Hotel (perhaps he was involved in building that) and Westhall on Station Road in Lundin Links.

By 1901, all three plus Catherine's husband John Clayton and their infant daughter were at neighbouring 'Craigie Cottage', while Craigie Bank was unoccupied. At this time Andrew was described as 'formerly builder'. By 1911, Catherine and her family had moved to Fort WIlliam but parents Andrew and Margaret were still at 'Craigie Cottage'. Andrew died in 1913 and his widow became proprietor of his properties. In 1920 a number of the houses were advertised for sale (see below from 20 March Scotsman), including Craigie Bank.

The splendidly-dressed group shown above (in the early 1900s) look all set for the beach, with their dog, model boats and buckets and spades. The group are standing outside what was then known as '1 Seaview'. This house is now 57 Main Street in Lower Largo. It's well-known nowadays for its ornate gates and porch, plus its distinctive garden sculpture 'Malagan' (added a decade ago). 'Seaview' originally comprised the row of terraced houses between the White Cottage corner and Bass House (see image below). These houses predate the former shops on the opposite side of the street by a couple of decades at least. In the early 1860s the owner of Seaview was retired gamekeeper Thomas Henderson.

Although the house has changed paint colour, had a few artistic additions and lost its metal railings, it can still be identified by the window layout and the pattern of stonework on the frontage. Who the beach goers in the old image are is unclear but it would seem likely that they were summer visitors rather than residents, given that they had this photograph made into a postcard and posted this copy off to Wales. 

Back in September of 1970, an appeal was launched in Lower Largo to "save the village's 300-year-old pier" (30 Sep East Fife Mail). A weekend of festivities over 25-27 September saw the pier appeal fund £500 better off. A goatskin-clad "Robinson Crusoe" (Bill Archer, pictured below) arrived by boat and unfurled a parchment bearing the message:

"Dig deep into your purses; unlock your coffers and empty your money bags in the name of our cause - the salvation of this grand old pier. Enjoy yourselves generously for Largo! For me!    signed R. Crusoe."

And the message hit home as the sum raised over two days was more than double what organisers had expected. Attractions included a display by the R.A.F. rescue helicopter from Leuchars, the coastguards and the Fife Fire Brigade. There were trips in local boats and portraits painted to order. A football match took place, a fancy dress ball was held and a competition was held to cross the Keil Burn over 40 yards of rope in the fastest time. The then pier owner Mr Maitland Makgill Crichton, who officially opened the weekend, recorded one of the best times in this event. Helped by excellent weather, more than 6,000 people attended the fun and games. An extract was read from the journal of Alexander Selkirk, dated April 1660:
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"I worked excessively hard these three or four months to get my wall done and the 14th of April I closed it up."

Parallels were drawn between this memoir and the need to shore up the pier and attendees were warned that anyone leaving today with money still left in their pockets would be "ceremoniously thrown into the water from the pier."

One other stall that was there that day was a "Man Friday footprints stall", where folks could leave their footprints embedded in concrete blocks (see inset from the East Fife Mail piece). The plan behind this enterprise was that these prints would be used to line the perimeter of the pier when restoration work began. Do you think people would pay to leave their mark on a restored pier today? I would!

The pier has of course gone through cycles of disrepair and restoration over its existence. Click here for the 1926 winter destruction and here for a 1930s post-repair image.

The image above by Valentine of Dundee was published in a 1946 tourist guide to Leven, Largo and Elie. Taken from an upper window of Elmwood boarding house in Lundin Links, the photograph showcases the putting green, tennis courts and football pitch. Note the worn grass around the goal mouth of the pitch - showing that it was well used. Also there is what appears to be a vendor (perhaps of ice-cream and other refreshments) set up between the three facilities wearing a long white apron. Largo Law can be seen in the distance but even more prominent is the bastion of trees at Fir Park.