Take a look at the three postcard images below. What do you notice?

Which features are common across the three and which are different?

Scroll below the photographs to learn more...

The first and oldest image is the one marked 'Cowie, Upper Largo and Lundin Links' in the lower right corner. This relates to Peter Cowie, the chemist and dates the postcard to circa 1905. It shows the Crusoe Hotel with its original roof style prior to the 1911 fire which resulted in extensive repair work including the creation of a new flat roof. This flat roof is evident in the second postcard scene. But close inspection of the second postcard, entitled 'Largo from Lundin Pier', shows that many elements of its scene are exactly the same as the first postcard - including the fishing boat tied up at the pier with the tall masts to the left of the hotel, the old footbridge in front of the viaduct, the people standing on the end of the pier and the two boats either side of them. 

The fishing boat rounding the pier end is KY 56, which is Fisher Lass. This was not a Largo boat but belonged to Andrew Taylor of Buckhaven. So striking was the image of Fisher Lass, that it was reused again in the third postcard scene. This final image dates to a time after the roof of the Crusoe Hotel had changed once again. The flat roof proved to be leaky and so a pitched roof replaced it in the mid 1930s. In this image you can also see the road bridge over the Keil burn. 

All the photographs were taken for Valentines of Dundee - the printing company that became Scotland's largest manufacturer of picture postcards. Valentines hired a team of photographers to travel the country capturing local views for postcards, which would then be sold directly to local newsagents, Post Offices and other businesses, such as Cowie the chemist. A team of travelling salespeople used catalogues to promote the images to every town and village. But, of course, local scenes did not remain unchanged over time. The addition of a new building, for example, would require a photographer to be dispatched to take new photos. Sometimes a new image would not be as appealing as the one it was replacing and so an amalgamation was created in an early form of image editing. 

You can see by careful studying of the pair of cropped images below, that the rowing boat and buildings to the right are the same, as is the railway bridge and the Belmont Hotel building beyond the roof of the Crusoe Hotel. However, the Crusoe Hotel with its new flat roof has been added to the version on the right-hand side. Some retouching has had to be done immediately above the flat roof to fill in the gaps left by the removal of the former chimney stacks. Some rework has also been done to the pier to disguise the join on this composite image.
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Central to the image above, with sail at half-mast, is KY 240 - Sultan. Owned by Thomas Lawrie (1853-1951), and 43 feet in length, mariners' almanacs show that KY 240 was active at least between 1887 and 1901. The photograph dates to before the 1894 construction of the footbridge over the railway line. The original Largo Station building can be seen in its elevated position in the background. There are several other boats in the harbour. The only other legible registration is KY 1837 - the middle of the three smaller boats to the left of the Sultan. This small boat is the Wilhelmina, belonging to David Ballingall. A wider-view photograph of this scene is shown below. Note the three smartly dressed gents standing at Cellar Braes close to the Net House (long before the construction of its raised sea wall). You can see how easy it would be to stumble into the water from here, particularly in the hours of darkness. Such an accident happened in 1935 to a Mr McNeil. He was visiting from Edinburgh and mistook the lights at Methil docks for the way back to his lodgings at Drummochy and fell over the edge onto the rocks below (while the tide was out). 

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KY 240 was not the only 'Sultan' to be based at Largo. The 1887 register shows both KY 240 and another Sultan with the registration KY 1427. The latter vessel, which likely predates KY 240, was owned by Alexander Gillies (1823-1898). He was a lifelong fisherman (and son of another fisherman, David Gillies). His mother was a Selcraig and so he was linked to Alexander Selkirk of Robinson Crusoe fame. The photograph below shows Alexander's Sultan in a scene dating to the 1880s. KY 1427 was out of register in 1888 and it appears to have been sold on and re-registered as A 503 on the Aberdeen register. Later this vessel was sold to a Stonehaven-based fisherman before finally being broken up in 1902. 

The name 'Sultan' was given to quite a number of vessels around the country over the decades - perhaps chosen because of its association with strength and power. Could the building of Largo's original Sultan have coincided with a news story of the time, such as the 1867 visit to the UK of the Ottoman Sultan or his subsequent death in 1876? There was famously a 'Turkish Fleet' of paddler steamers on the Clyde in the 1860s named the Sultan, Sultana and Viceroy. The name certainly seems to have been fashionable at the time. Repetition of local boat names was not uncommon. Could the newer Sultan have been viewed as a successor to the original? Was owner of the later Sultan, ​Thomas Lawrie (pictured below), a crew member on the original Sultan? If you know more about these two Largo fishing vessels and their owners, please leave a comment.
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Margaret Baird Paxton was born on 17 February 1902 at Drum Lodge, shortly after her parents and elder sister Jessie had returned to Scotland from Texas, where her father was a rancher. Two years later her younger sister, Isabel, was born and in 1907, the fourth sibling, Emily, completed the family. The Paxtons bought their long-term home, named Homelands, in 1908. As a young teenager, during the First World War, Margaret would have been involved in the Red Cross Work Party which was based in her home and co-ordinated by her mother. The piece below, from the 17 September 1914 Leven Advertiser, tells of an early consignment of gifts from the local group. By the end of the war, over 12,000 garments had been supplied by the work parties in Largo.

The Paxtons were involved in many charitable activities and supported several improvements to the district. For example, Mr and Mrs Paxton provided and equipped a hut to act as a social club for ex-servicemen in 1920 and funded a pitching and putting course at Lundin Golf Club in 1923. The Paxton ladies frequently ran stalls at fetes for various causes. The Royal National Lifeboat Institute was a cause that they supported regularly. Margaret was a frequent cast member in the productions of the Lundin Links Amateur Dramatics Group and was active in Largo S.W.R.I. One cause that was especially close to Margaret's heart, however, was the Girl Guiding movement. She was captain of Largo Girl Guides for many years, going by the name "Eagle Owl", and was for a spell Girl Guiding's 'Camp Secretary' for the whole of Scotland.

In 1926, Margaret's parents gifted the community a cottage for the residence of the Largo and Newburn District Nurse. The cottage stands behind the Parish war memorial (in a location chosen because it was as close as possible to the centre of the nurse's district). Robert Paxton passed away in October 1926 before the building was completed, so Mrs Paxton and her three daughters saw the project through to completion. 

When the District Nurse's Cottage opened in March 1927, the Leven Advertiser (12 March) noted the sunny southern outlook towards the Bass Rock, the telephone which was installed "so as to facilitate communication with doctors and patients" and the way in which the nurse's rooms had "been furnished with a completeness and comfort which leaves nothing to be desired." The report continued "the forethought and care which Mrs Paxton and the Misses Paxton have lavished on the cottage are evidence of how much it has been a labour of love to them". Two small gardens were laid out - one for the nurse and the other for the caretaker. The nurse's garden was tended by the Largo Girl Guides, under Margaret's direction.
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Margaret was very close to her sisters, so when elder sister Jessie set up a pioneering nursery school in Methil in 1935, Margaret supported her. Having gained experience in the nursery, Margaret was inspired to take action to meet another great need - for residential accommodation for children. She set about planning a children's home. Such a home would be for those requiring full-time care, perhaps because their parents were ill or because they had been rendered temporarily homeless. 

Margaret enlisted the help of a large committee to support her plan and in due course an Executive Committee (see above) was set up to administer the business of the home. Upper Largo's Dr William Eggeling acted as honorary medical officer. A large dwelling close to Homelands had become vacant, called Aithernie House (today known as the Old Manor Hotel). This was owned by Silverburn's Sir David Russell. Aithernie had four public rooms (all facing south), ten bedrooms, three bathrooms, electric light, modern central heating and a wash house with laundry. The map below shows how close Aithernie was to Homelands. 
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In December 1936, Margaret wrote to Sir David Russell to say that she was "very anxious to start a children's home in Largo" as "there is no place in Fife to which necessitous children may be sent and there is a very great need for such a home". She stressed that she had "come across some very deserving cases recently". ​The initial plan was to accommodate up to 36 children. The first year's expenses were covered by friends of the Paxtons, and the hope was that wider public support would be secured once the home was up and running and could demonstrate its worth. 

In turn David Russell wrote to his lawyer enclosing the letter from Margaret Paxton. In it he emphasised that he had known the Paxtons for many years and found them to be reliable. He also referenced Jessie's good work with the Methil Nursery. He closed by saying that with regard to the proposition "he was inclined to consider it favourably". Soon afterwards, all was signed and sealed. The 11 September 1937 St Andrews Citizen below tells of the imminent opening of Fife Children's Home. 
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Six months after opening, there were twenty children in residence between the ages of 2 and 11, along with six staff (Miss Paxton, her assistant, a cook and three nurses). Margaret and her assistant Miss M. Scrymgeour Wedderburn were voluntary workers. Below are descriptions of some 'typical cases' at that time. 
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Above is a photograph of some of the early residents of the children's home. Meals were taken outdoors, when possible, to get the benefit of fresh air and sunshine. The benches and tables were no doubt hand-made by local people and the children's bibs hand-made too. One of the glasshouses in the Aithernie garden can be seen. The grounds would have been carefully nurtured over many decades and at one time would have produced a great variety of produce.
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The piece above is from 19 February 1938 Fife Free Press. The work of both Jessie and Margaret Paxton was innovative and was followed with great interest. Of course, in the 1939, the outbreak of war brought new pressures on both ventures. At Fife Children's Home there were new reasons for children requiring assistance, as fathers were called up to join the armed services. One example was a widower with six children who went to serve in the Navy on a minesweeper. Three of his children went to stay with grandparents, while three came to reside at Aithernie. Two refugees from Austria, aged 2 and 4 also came to the home. Their fees were paid by two members of the home's committee.

In July 1940 another brochure was created to highlight the work of the home in the hope that further support would be forthcoming from farther afield. Below is an extract from this brochure. While daily life had continued much as before, gas mask drills and air raid precautions were now required. 
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1941 proved to be a difficult year for Margaret. The headline above, from 6 August Leven Mail, reports on the Annual Meeting of the committee. The clear message was that the home may have to close if not better supported. In the October of the same year Margaret's mother, Margaret, died at Homelands aged 78. Unsurprisingly, all those circumstances combined, took their toll on Margaret's health and in 1942 she had to spend some time in a nursing home to recuperate.

The sixth AGM for Fife Children's Home took place in 1942. The health of Miss Paxton was referenced, as were the direct and indirect impacts of the war. Ongoing challenges included food rationing, meeting blackout requirements and air raid precautions, staffing shortages and financial issues. While day nurseries were eligible for a war-time grant, the home was not. Yet somehow the home continued to function.

However, early in 1943 the home had to close for a six-month period. This had come about because Margaret had suffered a breakdown, having had do the cooking and attend the children at night, on top of her usual role as superintendent, due to staff shortages. In July 1943, Fife County Council made a grant of £100 to Aithernie Home and it was able to reopen. At the seventh annual meeting a few weeks later, Margaret expressed her regret at the circumstances which had necessitated the closing of the home. Now, however, the home was full up and had a long waiting list. Thirty-eight cases had been dealt with during the year, nearly all being the children of service men. The health of the children had been good and they had been vaccinated against diphtheria. 

​At the eighth annual meeting of the subscribers to Fife Children's Home in 1944 it was once again noted that Miss Paxton's health had not been so good. It was likely that Margaret continued to be overworked and was unable to give herself the time she really needed to rest and recover from earlier ill health. There had also been "very serious staffing issues". Above is an advert from 1944 for a cook for the home. Nevertheless, splendid work had been done with a considerable number of children benefitting from a stay. The war was still ongoing and sadly two key committee members had died during that year - ex-Provost Barron of Leven and Mrs Rowand of St Andrews. 

The ninth annual meeting took place in 1945. In the summary of the year, it was noted that several valuable subscribers had been lost by death and that staffing difficulties persisted. There were a few vacancies on the General Committee. Seventy children had been cared for over the year, with the waiting list remaining long. The "absence of so many men overseas had produced a very serious social problem" and many mothers found themselves having to work. The clipping below from the 12 September 1945 Leven Mail shows some of the year's highlights. An insight into the support given by local people was also given when Margaret described a "constant supply of vegetables" from Mrs Fleming and the "many friends who darn and re-foot socks and make and mend the clothes" as well as knitting, sending food and holding fundraising events.

Each year this blog pauses to remember the men of Largo who fell in the two world wars. Rather than focus on any one particular individual or story this year, below is the full list of names that appear on the Largo War Memorial, as unveiled in 1921. There are 51 names upon the Celtic cross-topped monument, designed by Sir Robert Lorimer.
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After the Second World War, panels were added to a wall behind the original memorial, containing the names of those who were lost between 1939 and 1945. These two panels contain 16 names between them.

We will remember them.

Above is a 'then and now' comparison of the corner of Hillhead Street and Emsdorf Crescent in Lundin Links. The top image features the former shop, as it was in the 1940s, during the tenure of James Terris Turbayne. He was proprietor from 1920 into the 1950s. The ground floor was in fact two shops - the grocer to the right, and the fruit and confectionery shop to the left, each with its own entrance. Previously, the corner shop had been David Lindsay's grocery and the smaller shop had been the chemist belonging to Peter Cowie.

The black and white postcard image is entitled "St Helen, Lundin Links", as this is the name of the home above the shops. The upstairs dwelling was built above a pre-existing single-storey shop during David Lindsay's time. Helen was the name of the mother of David's wife, Isabella Horne. The Lindsays also had a daughter named Helen (known as Nelly) who died in 1901 aged 12. A further dwelling behind the shop was named Nellfield.

The building set back to the right of the shop was likely the original stable and cart shed connected with the business, at a time when grocery deliveries were fulfilled by horse and cart. By the Turbaynes time, the shift to motor vans had taken place and one can be seen in the 1940s image. The advert for Turbayne's below states "orders called for and delivered daily by motor van".

Round to the right of the front door to the grocer shop is an external sign for the Woodburn Laundry (for which Turbayne was an agent). Above is an advert for the same from 30 March 1935 St Andrews Courier. This facility was in St Andrews and boasted "open-air drying - right on sea front". Below is a photo of the actual laundry, adjacent to the Lifeboat Station at St Andrews (image courtesy of University of St Andrews, Special Collections). 

Close inspection of the Turbayne postcard photograph shows that there is a person tucked in at the left side of the motor van and that a selection of wines and spirits are on display in the shop window facing the van. The crates and boxes stacked up outside the shop may have just been taken out of the van, ready to restock the shop shelves. The person doing the unloading appears to be hiding from the photographer.
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The two adverts below illustrate the range of wines and spirits that were stocked by James Turbayne once he had secured his license in Lundin Links. He also stocked soft drinks such as the aerated waters produced by Leven based Christopher Adamson.

Janet Hamilton Paxton (known as Jessie) was born in 1895 in San Antonio, Texas, USA. She was the eldest child of rancher Robert Carswell Paxton and his wife Margaret Donald Baird. Robert Paxton was born into an Ayrshire brewery-owning family. While his elder brother George continued the brewery business, Robert emigrated to America in 1878, aged about 25, to become one of the first settlers in Terrell County, Texas.  The area which he settled is now known as the Longfellow Ranch. Robert established a sheep station prior to his marriage to Margaret Donald Baird at the age of 41 on 25 October 1894 in Kilmarnock. On the marriage certificate his occupation is ‘sheep farmer’.  Their first child Jessie was born the following year. Robert eventually diversified into cattle as well as sheep. Terrell County would go on to become one of the USA’s largest sheep and wool producers.

​In July 1899, Robert, Margaret and a 4-year-old Jessie travelled from New York to Glasgow. While Robert's sheep and cattle ranch continued, the family sought a return to Scotland. Two years later in the 1901 census, Jessie and both her parents were recorded at 25 Blacket Place in Edinburgh. This was the rented home of Robert's sister Janet Muir Paxton. Robert Paxton's occupation was given in the census as "Ranchman in Texas". By 1902 the Paxtons had identified Lundin Links as a suitable place to live and were renting Drum Lodge. During the 2-3 years that they family lived there, Jessie's sisters were born - Margaret Baird Paxton on 17 February 1902 and Isabella Carse Paxton on 22 June 1904. The Paxtons then moved to Elphinstone on Crescent Road in 1905 (pictured below) and the family's fourth daughter and youngest child, Emily, was born there in 1907. The following year Homelands came up for sale and it became the permanent family home.

​Robert continued to travel periodically to Texas, while also being involved in local life in Fife. He was Captain of Lundin Golf Club 1908-09 and appears in the photograph above at the opening of the Lundin Ladies new course on 15 April 1910. Jessie is likely the young woman in the centre back row with the wide-brimmed hat, standing between her parents. At the time of the 1911 census both Jessie and her father were absent from Homelands. It's probable that both were in the USA.

Tragically, on 3 April 1912, the Paxtons' youngest daughter Emily died at Homelands, aged 4. That same year Robert sold the Texas ranch. However, this was not the end of the USA connection and in 1914 Jessie travelled to visit the country of her birth aboard the ship Colombia, from Glasgow to New York. Shortly afterwards, the First World War began and the Paxtons swung into action to support aid efforts.  For four and a half years, the Lundin Links Red Cross work party was based at Homelands, with Mrs Paxton as convener. The Paxton family became firmly established in the community of Lundin Links and beyond. The three Miss Paxtons were all involved in amateur dramatics and well as charitable activities. The photograph below from the 9 February 1931 Dundee Courier shows Jessie (front row, extreme right), Isabel (next to Jessie) and Margaret (centre, back row) coming second in the Scottish Community Drama Festival (Kirkcaldy Section) in the Adam Smith Theatre, as part of the Lundin Amateur Dramatic Society team.

It was in the early 1930s that Jessie Paxton found her calling in life. The Leven Advertiser of 15 Feb 1938 refers to how she was first inspired by “a casual visit to a home in London run by former pupils of St Leonards School, St Andrews". Jessie then spent a couple of years training in London, most likely at the Rachel Macmillan Nursery School College in East London. To view a short film of a typical day there around that time - click here.  It was in 1930 that the training centre was given full college status, so Jessie would have been one of the early graduates.

Rachel and Margaret McMillan were sisters and nursery school pioneers. Both born in the USA to Scottish parents, they returned to Scotland as children. As young women they became suffragists and socialists, eventually focussing their attention on the needs of young children and the belief that they needed the opportunity to develop and learn by being healthy, clean and well fed. They ran the first nursery schools in the country, placing great importance upon imaginative play, time outdoors, nourishing food and allocated time for sleep.

​Although Rachel died in 1917, Margaret continued their work, writing several books about nursery education. She gave many speeches about the needs of the poorest children in society and the value of nursery education. By the end of the First World War, Margaret McMillan was considered an expert in nursery education. When she died in 1931, she had established a philosophy of nursery education and nursery schools as open-air institutions that continues to influence practice today. You can read much more about her life here.

Sharing this genuine interest in the welfare of the very young, and now with the necessary training under her belt, Jessie Paxton searched Fife for a suitable premises in which to open her own nursery. The rent-free use of Lindsay's Square Hall and two adjoining houses in Methil (marked on the map below) was granted by Charles Carlow of Fife Coal Company. The buildings were adapted for use as a small nursery school (with a playroom, bathroom and kitchen). Furniture for the nursery was made by three unemployed men (Messrs Deblin, Cargill and Allan) who were members of the Leven Unemployed Social Service Centre at Albion House. They spent several weeks making tiny tables, chairs and stretcher beds which were painted bright blue.

Toys were also made locally, and food donated by generous supporters. Eighteen children aged between three and a half and four years old started on Tuesday 26 November 1935, with younger children starting the Monday after. The above photograph from the 29 November 1935 Courier shows a beaming Jessie with two of the first pupils. The facility was opened without any expenditure from public funds. The initial expense of adapting the building and early running costs came from private subscriptions. Efforts were made to keep costs relatively low and parents of pupils paid just one shilling per week. In the early days, aside from two young nursemaids who received wages, all work was voluntary. Despite all of that, the nursery was viewed with hostility from some parts of the community (and that persisted for many years among those that saw pre-school child welfare as the domain of parents).

​In February 1936 Provost William Smart wrote in the Leven Advertiser about a typical day at the nursery. An extract from this report is below. Being too young to read, each child had their own unique picture to identify their peg and other belongings. They wore light brown overalls, had porridge for breakfast and played singing games afterwards. A nutritious lunch was followed by a spoonful of malt and halibut oil. A toothbrushing drill preceded rest hour, where pupils napped on individual beds with their own blankets (an unpopular part of the day for the older ones).

Toys available included blackboards, string beads, peg boards and wooden blocks - designed to train the hands and eyes. Tea was brown bread with jam and milk drunk out a bottle with a straw. The floor was blue linoleum and the walls painted yellow at the top and brown below. The fire blazed to keep the place warm. Smart described a "happy and joyful picture" with children aged 2 to 5 "eagerly busy". ​Jessie, her nursemaids and a long string of tiny tots became a familiar sight in the streets close to the nursery as they took their daily walk. In those early days, many of the bairns attending came from families struggling with overcrowding, poverty or poor health (or sometimes all three). Gaining a place at the nursery could revolutionise their lives.
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While the nursery thrived, the surrounding houses of Lindsay's Square had been earmarked for demolition. Built to house miners, these were now very old and, with their dirt floors and lack of plumbing, were no longer deemed fit for human habitation. Their demolition began in 1935 and continued into 1936. The disruption of this work, going on adjacent to the nursery, must have been considerable. Initially, it was hoped that the redevelopment of the site would include provision to expand the nursery, allowing more children to attend. By 1937, there were 48 children in the Methil nursery and a waiting list of 60. Miss Paxton spoke of one three-year-old boy that used to stand at the gate every day, tears running down his face, saying "I'm wantin' in. I'm wantin' in". He eventually got in but there were many more like him still waiting.

Around the time that the County Council had purchased the old Lindsay Square housing from the Fife Coal Company, the Council's Education Committee had formally recognised the nursery and begun to provide a grant towards running expenses. So, it seemed hopeful that an additional building for the nursery to expand into might be created within the redeveloped Lindsay Square area. However, the priority of the Buckhaven and Methil Town Council was to build houses. Their suggestion was to wait and assess the available space after the housing had been completed. Jessie, believing that the need for additional space for the nursery was both great and urgent, began negotiations with other potential sites. By November 1938, the waiting list had grown to 115 children.

The nursery now had to deal with the disruption of the construction of the new housing at the site (which would become St Andrew's Square) and as the 1930s drew to a close, the Second World War put an end to all plans to extend or relocate the nursery. Wartime brought fresh challenges, around food supply, staffing shortages and general uncertainty. However, Miss Paxton's nursery continued to operate through that difficult period and emerged ready to revisit expansion plans. Finally, on 5 September 1949 a second nursery opened at Kirkland Drive. The premises were a former National Fire Service hut, purchased from the Freemasons and adapted for its new use. The number of children attending across the two sites rose to almost 100,

The 7 September 1949 Leven Mail covered the opening and included the two photographs below. Reconditioned rocking horses had been brought up from the Lower Methil nursery and other toys had been brought in by well-wishers, including a beautiful miniature horse-drawn carriage. Each child had their own particular favourite plaything. The new nursery started with 13 children but would quickly progress to accommodate 25 to 30. Even with a second building, there were ongoing calls upon the Buckhaven and Methil Council to find a more substantial and permanent premises for the nursery.

When the Kirkland Drive nursery was targeted by vandals in May 1954, Miss Paxton explained that "this was not a very surprising discovery" as "they have been doing this sort of thing since 1936" and that she had lost count of the number of windowpanes that had had to be replaced over the years. On this occasion, vandals had smashed a rocking horse and barrow, strewn the laundry about and broken three windows. The little ones arriving the next morning were puzzled as to why this had happened, and the poignant image above appeared in the 2 June Leven Mail. The little boy is holding the broken handle of the rocking horse.
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Jessie's vision and determination were recognised when she was awarded an MBE in 1956 for her pioneering work. This was yet another parallel between the life of Jessie Paxton and that of Margaret McMillan, who was awarded the CBE in her lifetime. Both women were born in the United States but educated in Scotland, both effected great changes in the nurture and early education of young children. Each was resilient in the face of setbacks, was willing to challenge various forms of authority and ultimately took on a level of responsibility that took a toll on their own health. 

Jessie also provided inspiration for her younger sister Margaret Paxton who also focussed her energies on the wellbeing of children, opening a children’s home. More on that in a future post. Methil nursery bairns often made the trip to Homelands to play on the lawn there and run around in the sunshine or to visit the beach. At Christmas there was a party or a pantomime, often in Methil Parish Church Hall. Finally, in 1960, the long-term future of the nursery was secured when a new purpose-built facility opened, funded by Fife County Council. This replaced the two existing nursery buildings, both of which closed.

The new nursery was the 26th school building constructed in Fife after the war. It was officially opened by Police Judge Andrew Goodwillie, vice-convener of the County's Education Committee. For the first time, a quarter of a century after starting out, Miss Paxton's nursery finally had a new and properly funded building. She remarked that she had always dreamed of having such a school and that "never in my wildest dreams did I expect a spacious and magnificent place such as this." Jessie and her staff moved to the new nursery and worked under the Fife County Council Education Department. By this time, some of the early nursery bairns were parents of the new nursery pupils. 

Two years after the new nursery (pictured above) opened Jessie Paxton (pictured below) passed away in a nursing home in Edinburgh aged 66 after a spell of ill health. Notices of her death from the 4 April 1962 Leven Mail are shown below. After her death the nursery was renamed the 'Paxton Nursery' and it continues with the same name, in the same building, to this day.

The impact that Jessie had is still felt today and many continue to remember her with great fondness. She was a courageous woman who had a vision, persevered to make that vision a reality and devoted her life to its continuation. She was the first to introduce the new 'nursery movement' to Fife and had the resolve to do what she thought needed doing. Overcoming initial hostility to the scheme, many inconveniences, sporadic vandalism, wartime hardship and a constant struggle to secure premises and resources, Jessie paved the way for other nursery schools to be established and to become fully accepted as a key part of Fife's educational provision. 
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​The personal tribute to Jessie below was written by George Simpson Barron, draper and ex-Bailie of Leven and was published in the 4 April 1962 Leven Mail.

Can you spot the boat hiding in the photograph above?  The image features the oldest of the buildings of Largo's former mill complex by the viaduct. The building with the brick chimney housed the gasworks, forge and cooperage. If you look closely at the trees on the left-hand side, obscured by foliage is the line fishing boat Jane, with its registration 940 KY just visible. For a short time, registrations of 2nd class boats such as this one were displayed with the port of registration after the number. The Jane belonged to William Ballingall who had a daughter named Jane born in 1869.

William Ballingall was born in Largo in 1847. He was already described as a fisherman in the census of 1861, aged fourteen years old, while living at the Temple. On 6 October 1867 he married Isabella Gillies, with Reverend David Malloch officiating. William was a fisherman and the fathers of both he and Isabella, John Ballingall and Alexander Gillies, were both also fishermen. Their daughter Jane was born in 1869, followed in 1873 by Margaret (who died aged 14 months), Annie in 1877 and Isabella in 1880 (who died aged ten months).

In June 1882, the couple had a son, John, however later the same year, Isabella died of tuberculosis, leaving William with three young children. Sadly, in 1883, aged just ten months, baby John died too. William was remarried in 1888 to Eliza Tivendale in Edinburgh. She was the daughter of Lundin Mill shoemaker Alexander Tivendale. The couple went on to have two sons, Alexander and William.

The fishing boat Jane appears on 'The Scottish Fishermen's Nautical Almanac and Tide Tables for 1889' but is absent from the 1901 edition. Willam did however have another vessel listed in the 1901 almanac, named the Tidy (KY 1830). Tidy was smaller than the Jane and may have been the boat in use when WIlliam, along with John Ballingall and John Gillies discovered a wrecked fishing boat in 1896. It was 24 February that year when a drowning accident took place in Largo Bay. The 28 February East of Fife Record below reported on how three Largo men (half-brothers David and Thomas Melville and David's brother-in-law Thomas Ballingall) had been line fishing in calm sea conditions in a 16-feet boat when tragedy had occurred.

William and John Ballingall who discovered the upset boat were cousins of Thomas Ballingall. They along with John Gillies had to provide evidence at the subsequent inquiry into drowning. William and his brother John had been fishing in Largo Bay on the day in question. Several boats were out including the one with the three men that lost their lives. William had observed them shooting their lines but later on his crew noticed a wrecked fishing boat and approached it. They drew in the mast and found the body of one of the men entangled in the ropes. The other two were missing. There was very little wind on the day and the witnesses could not account for the reason behind the accident.

William was still described as a Line Fisherman in the 1901 census and was living with Eliza and their two sons. ​Eliza died on 2 March 1911 and in the census of later the same year, William was a widower living on Lower Largo's Main Street (opposite the Crusoe Statue) with two sons, aged 19 and 14. Both William and his elder son were recorded as line fishermen. William died on 27 December 1923 aged 76, at his home on Main Street, Lower Largo. It seems likely that earlier in his life, William may have been among the crew members of one of the larger deep-sea fishing vessels, such as David Ballingall's Forget-Me-Not, which was crewed by family members with the surnames Ballingall, Gillies, Melville, Watson, Hutton and Wishart.
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The vessel in the image above is the Largo Bay, registration number KY 376. This 51-feet long fishing boat was built for George Wood and Alexander Simpson of Largo in 1885 at James Miller's boatyard in St Monans. Below is the report of her launch, from the 1 January 1886 East of Fife Record. The other boat referred to in the newspaper piece, which Mr Miller had on order from two other Largo fishermen, was the 55-feet Jane and Minnie (KY 400). George Wood had previously had another fishing boat named Welcome which was 44-feet in length but he sold this shortly after taking delivery of the Largo Bay (see advert further below from the Kirkcaldy Times of 5 May 1886).
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George Wood was born in Largo in 1850, the son of tailor Robert Wood and his wife Janet Ritchie. He married Ann Simpson (who was a net worker) in 1872. She was the daughter of fisherman James Simpson and his wife Hannah Lawrie and was the sister of Alexander Simpson (born 1855). So, co-owners of the Largo Bay, George Wood and Alexander Simpson, were brothers-in-law. 

The extract below from 'The Scottish Fishermen's Nautical Almanac and Tide Tables for 1889', includes Largo Bay within the list of fourteen Largo-based fishing boats. Five of those boats were "2nd class boats" meaning that they were smaller in size. These shorter boats were used for line fishing, as opposed to deep sea fishing. Note that George Wood has a small boat named Welcome, the same name as the larger vessel that he had sold in 1886. Among the large vessels are the Ocean Bride, Chance, Jane and Minnie, Osprey, Fortunatus and Forget-me-not. 

In 1891 George Wood, his wife and four children were living at what is now 34 Main Street, Lower Largo at the 1891 census. Meanwhile Alexander Simpson was also in Lower Largo with wife Helen (who we had married in 1875) and six children. By 1895 nine boats, including Largo Bay, were listed in the Nautical Almanac (see above). However, the size of Largo's fishing fleet was set to reduce and, by 1902, only the Ocean Bride would remain.

The 26-ton Largo Bay went to Aberdeen in 1898 and was re-registered as A 869. Ultimately, in 1907 she was broken up. Wood and SImpson continued to fish but on a different scale. At the time of the 1901 census, Alexander Simpson, living at Kincraig View on Main Street was described as a 'salmon fisherman' rather than a 'fisherman'.  George Wood's occupation had altered from 'fisherman' to 'line fisherman'. His 14-year-old son George was working as a grocer's message boy (likely for John Nicoll whose grocer shop was just two doors along). The 1901 issue of the Nautical Almanac (below) lists five large Largo vessels and ten line fishing boats. Neither Wood not Simpson were among the owners.

George Wood had a complete change in occupation in 1906, when he was appointed to the position of 'chaplain, caretaker and gardener' at Wood's Hospital (see note below from the 7 December East of Fife Record). The 1911 census finds George, Ann and two of their children, living in the caretaker's quarters at Wood's Hospital. This census also reveals that the couple had had ten children but that only five were living at that time.

Meanwhile Alexander Simpson continued working as a line fisherman. His wife Helen died in 1903. On 6 October 1905, he remarried. The bride was fisherman's daughter Margaret Laurie Melville. Interestingly on the very same day, also in Largo, the daughter of George Wood, Catherine was married - to fisherman Thomas Gillies (son of Robert Gillies one of the twin brothers who owned the Ocean Bride who themselves were related to Alexander Selkirk, of Robinson Crusoe fame). This provides an insight into just how tight-knit and interconnected the fishing community was.

Alexander Simpson died in 1928 aged 72 at Sunnyside, Lower Largo. George Wood lived to the age of 89, passing away in 1940 at Horne's Buildings. In 1932 his wife, Ann Simpson Wood had died at Wood's Hospital. Wood and Simpson had lived through the transitional period when Largo's links with the large-scale, long distance fishing trips died out and smaller scale line fishing and salmon fishing offered an alternative for those that chose to continue to earn a living from the sea.
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The previous post covered the life of Largo-born Alexander Ballingall, who spent most of his working life as an acclaimed artist in Edinburgh. Alexander and his elder brother engraver William Ballingall were well-known for their artistic accomplishments. However, these were not the only creative members of the family. John Ballingall their younger brother was also an accomplished painter, although art was not his main occupation. John worked in Largo as a cork cutter. The above artwork entitled "Entering Port" is an example of his work. It features Largo Harbour and Pier and several fishing boats. Like his brother Alexander, John frequently opted to portray marine and fishing scenes.

John was born in 1859, the ninth of the ten children of weaver and amateur astronomer William Ballingall senior and his wife Jane (Jean) Wilson. While the majority of his siblings moved away to Edinburgh for work, John remained in Lower Largo. At the time of the 1881 census, John was a journeyman cork cutter (perhaps having learned the trade from one of the other local cork cutters in Largo such as Edward Johnston or John Edmonson Miller) and the only of the siblings living at home with his parents. As a cork cutter, he likely had close ties with both the fishing community and the net factory.

In 1883, John married Annie McIntosh in Edinburgh and she joined him in Largo. The first of their eight children, William, was born the following year but he sadly died aged just two and a half. By the time of the 1891 census, there were four children in the household and John's occupation was described as 'cork manufacturer'. At this time, the family were living in part of Goodsir House. 
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Although John had probably always painted, it was during the 1890s that John's artwork received more attention. Several of his known paintings date to this decade - for example the work "Sailing Boats at Moonrise" above is clearly dated 1894.
It was also in 1894 that John featured in the newspapers when a message in a bottle he had set off on the sea at Largo on 22 November 1893 washed up five weeks later in Norway. Mid-November 1893 had brought the worst storms for many a year to the east coast and loss of life had been great (well over 200 persons). John had reflected upon the disaster with his young sons and had decided to send off a letter, along with his card and instructions for the finder. He was also moved to offer a watercolour painting with proceeds donated to the Lifeboat Institution, who had saved many lives during the storm. Full details are below, from the 20 January 1894 St Andrews Citizen. Note that the bottle has been corked and wrapped in cork. 
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John's role as an artist must have flourished, as the notice below from the 7 January 1897 Leven Advertiser below tells of the exciting news that he had moved to "new and commodious premises opposite the U.P. Church" where there was a large exhibition room for his oil and water-colour paintings. This premises was at Forthview Place in the part which would later become the Leven Reform Co-operative Society shop. In 1898 he also had a seascape displayed at the Royal Scottish Academy in Edinburgh.

The fascinating painting above, entitled Home from the North Sea, is the work of Alexander Ballingall , the Largo-born painter and brother of engraver William Ballingall. This piece depicts the return home of the Largo fishing fleet in the 1890s. The registration of the boat with the most prominent sail is KY 478 - Annie Johnston. This fishing craft was built in 1880 in Anstruther but spent several years in Montrose before being bought by Largo's David Gillies in 1889. Annie Johnston was part of Largo's fleet for over a decade before being sold to Shetland in 1901. The colourful scene is a welcome contrast to the usual black and white images of fishing vessels from this era. The reddish-brown colour of the sails is the result of the white fabric being treated (or barked) with tar to make them more weather-proof. 

Multiple boats from Largo would tend to leave in groups for a lengthy trip. Some trips might head up further north, off Aberdeen or Shetland, or perhaps south to fishing grounds around Yarmouth depending upon the time of year. Children would often be allowed time out of school to see their fathers off. Ships' biscuits would be given out before the boats sailed away. Eventually, word would be sent home of their planned return, so that families could watch with anticipation for their safe arrival back home.

The kind of scene depicted in the painting, with a crowded pier, would have once been a frequent one, where wives and children greeted the fishermen with joy and relief. Note the man in the foreground presenting his daughter with the gift of a doll. Her mother, who is dressed in traditional fishwife clothes looks on with affection. Gifts brought back from far afield trips would be the main presents given in the year.

Other men, perhaps unmarried, busy themselves sorting and unloading their gear. Some of these nets and other gear may well have been taken over to the other side of the Keil to be dried and stored in and around the Net House. Back home, the washing of the men's clothes would take several days. Six boats feature in this painting. Given the date of late 1890s, other vessels may have included the Forget-Me-Not, Sultan, Ocean Bride, Osprey and Jane and Minnie. Alexander Ballingall painted many scenes around Largo pier, harbour and coast but also depicted other locations. Below is an 1881 painting by Alexander named Troubled Waters, Stonehaven which illustrates a winter herring trip, with stormy waves crashing around the harbour.

Alexander Ballingall was born in Largo in 1847, son of weaver William Ballingall and his wife Jean Wilson. One of several brothers and two sisters, like many of his siblings Alexander had a creative streak. While at the age of 14 he was working as a weaver like his father, he was destined to follow more in the footsteps of his elder brother, William the artist and engraver. By the time of the 1871 census, in his early twenties, Alexander was living in Edinburgh with his brother and his family and both brothers were working as engravers. They were based at Cockburn Street, just off the Royal Mile. Over the years, Alexander seems to have progressed more into painting than engraving and in 1879 he exhibited at Kirkcaldy Fine Art Exhibition with a painting entitled "Newhaven Harbour".

In 1881 he first exhibited at the Royal Scottish Academy. In the census that year Alexander was described as a 'landscape painter', still based in Edinburgh but now in Newington. ​The 9 March Dundee Advertiser described his 1886 work at the RSA as "always forcible and thorough in his sketches of sea-faring life". By 1891, he was married to silversmith's daughter Marion Wilson and living at 99 Montgomery Street off Leith Walk, now described as 'Artist - marine and figure'. The same year his RSA exhibits were, according to the Midlothian Journal of 17 April, "three crisp, clever realistic sea-scapes". One of those is the work shown above entitled Now then lads! All together. The newspaper noted the "caller seaside breeziness" and "the anatomy of the pullers...carefully studied, and sea, and rocks, and sky are as usual well done."
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In contrast to the painting at the top of the post depicting the fishermen's return from sea, the artwork above is entitled Getting Underweigh. This shows the fishing fleet setting off on calm seas and dates to 1902. By this time Alexander's wife had died (in 1898 from tuberculosis). The 1901 census had noted him as 'Artist - marine and landscape'. His works did include overseas landscapes, including Venice, as well as many Scottish coastal scenes, including such locations as Buckhaven, Pittenweem, Dunbar and Greenock. By 1911, now aged 64, Alexander was still living off Leith Walk and was slightly differently described as 'Artist (marine and architectural)'. 

Alexander died on 30 November 1913, at the age of 67 at Bangour Village Hospital in West Lothian. He was buried at Upper Largo cemetery with parents, William Ballingall (a keen amateur astronomer) and Jean Wilson. The gravestone, although now in poor repair, has many interesting features, including a globe (now displaced), a shining star, a moon, a coastal setting sun, a sand timer and a sun dial. This unusual and eye-catching memorial is fitting for such a creative family many of whom keenly observed the world around them, and beyond.
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