As Halloween approaches - a couple of appropriate local tales from the past....

Bats have long been associated with Halloween. They are, of course, nocturnal creatures. They leave their daytime roosts when the sun sets. Bram Stoker's 'Dracula' suggests that vampires are able to morph into bats (a small number of bat species worldwide are blood feeders). A more natural association with Halloween is related to the bat life cycle. They can swarm in the months of September to November as they look for mates and increase food intake ahead of hibernation. Below is a local bat-related story featured in the 17 March 1868 Northern Warder. On this occasion, bats were coming to the end of their hibernation period at Balcruvie Castle - now known better as Pitcruvie Castle . 
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Moving forward in time to the 10 November 1943 Leven Mail (below) - a war-time Halloween party provided Polish visitors with a taste of some of the Scottish traditions associated with the celebration - including a bit of a dunking in water it would seem!

​Happy Halloween!
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The above postcard image shows the Lundin Ladies Golf Club House on the left and the Greenkeeper's House on the right. The latter was built in 1911, the year after the official opening of the course. The Club House had of course been moved to its present position in late 1909 from its original site at the main Lundin Golf Club (where it was first constructed in 1897). The image pre-dates the upheaval of the Second World War when the War Cabinet instructed that portions of golf courses had to be leased to increase food production. By special arrangement, the Ladies Club gave up more than its quota (two thirds of its area) so that the main Lundin course could remain intact. The much reduced course comprised six holes with the added feature of some grazing sheep (which both supported food production and kept the grass short at at time when there was little fuel for green keeping).

During this period the greenkeeper was  Jimmie Imrie who worked for thirty years for the club from the mid 1920s. When he joined the Auxiliary Fire Service full-time in 1941, his father Robert Imrie took over green keeping, while Mrs Imrie looked after the club house and the role of starter. Robert had been manager to George Bell at Lundin Mill Farm. When Jimmie returned to post after the war, he set about the restoration of the course, including re-seeding and the re-laying out of the lost greens, tees and bunkers. As the book published for the club's centenary by Alan Elliot said of Mr Imrie:

"He was an excellent worker, conscientious and thorough. When it is realised that he put the course back from its wartime ploughing to its former state almost single-handed, it may give some idea of what he did. He worked with the minimum of equipment....a spade, a shovel, a barrow, a roller, an elderly tractor and mowers of great age: an awesome lot of effort. He achieved much in a remarkably short time after the war, and overall he provided the club with a course again when it mattered most."

The full course was officially re-opened on 22 July 1948 with the event shown below (advert from Leven Mail) which was both a competition and a green keeper's benefit (in recognition of Imrie's huge efforts). A similar event (for the both the benefit of the green keeper and for course improvements) was repeated the following few years. Jimmie Imrie left the post of green keeper in 1956 and died in 1985 aged 79. Eddie Wilson was green keeper in the late 1950s and between 1960 and 1978 Andrew Latto carried out the role.

Gunnar Mauritz Belfrage was born in Gothenberg in 1887, son of architect August Wilhelm Belfrage (1841-1909). In 1904, aged 17, he came to Scotland, where he was initially an assistant with the firm of Gjertsen and Bruce ship chandlers in Methil.  In 1909 he spent some time in Germany before returning to Sweden to train as a masseur. In 1915 Gunnar returned to Scotland and worked in hospitals in and around Glasgow. During his time there he married Inez Maria Soderberg in 1919. They had three daughters while living in Glasgow - Ingrid born in 1920, then Signe in 1922 and Asta in 1923. Soon afterwards the family settled in Fife.

In 1926, Mr Belfrage was appointed German Missionary at the 'Deutsches Seemanshaus' (pictured below in its heyday and in more recent times) on Durie Street, Methil. This job was to act as a pastor to the many German-speaking seamen that would have come in and out of Methil docks - a post he remained for around a decade. The German Seaman's Mission was built in 1900 to provide religious services for the increasing number of German seamen visiting the port. The piece below from the St Andrews Citizen of 21 April describes its dedication. The first missionary appointed was a Herr Johannes Voss. The mission was suspended during the First World War and closed permanently in 1939. Gunnar Belfrage was mentioned many times in the local press during his time as missionary - an example of this from 1 February 1930 Fife Free Press is further below.

By 1936 the Belfrages had left Methil and were pursuing other interests, while based in Lundin Links, as the adverts below show. Mr Belfrage advertised his massage therapy in the Fife Free Press of 14 Nov 1936, while Mrs Belfrage was listed in the MacDonald's Directory of 1939-40 as a confectioner. They supplemented these activities with the 'Tea Gardens' at their home, Imrie Cottage on Emsdorf Street (the premises that formerly hosted Andrew Thomson's baker shop). The advert at the top of this post for the tea gardens appeared in the 10 June 1936 Dundee Evening Telegraph.
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Tea Gardens were a popular concept in the early decades of the last century (and before). A couple of examples (not local) are illustrated below, where folks have basically turned their own garden into an al fresco cafe serving home-baking and drinks. In the 1930s when Lundin Links was very much still a fashionable summer resort, there would have been no shortage of potential customers for such an enterprise - especially on Emsdorf Street - a key route between the hotel and boarding houses of Lundin Links and the pier and beach at Lower Largo.

Belfrage's Tea Gardens seem to have been short-lived however as by 1940 the Belfrages had moved to 'Sandilands' on Leven Road in Lundin Links. They stayed there until the autumn of 1946 when the couple left Scotland to return to their homeland of Sweden. Inez died there in 1968 while Gunnar died in Stockholm aged 87 on 12 December 1974. 

In addition to his many paintings of Largo, George Leslie Hunter also produced many sketches of the area. Lots of his sketches were recognisable scenes of the beach or still existing buildings. However, the one shown above focuses on the Pier Pavilion with little contextual background. It would have been a familiar scene at the time but now only those aware of Largo's local history would know what and where this is. The pen, ink and coloured crayon drawing is named The Pierrots, Largo and dates to 1923.

This drawing was purchased by the Kelvingrove Art Gallery in Glasgow for its permanent collection, along with two others 
(Fife Landscape and Largo Harbour). As the book 'Hunter Revisited' by Smith and Marriner states:

"The Pierrots is one of a series of drawings Hunter did of the open air theatre near Largo jetty. Since his days in San Francisco he had maintained an interest in the theatre, as much as anything for its colourful spectacle. The Pierrots at Lower Largo staged a popular form of vaudeville entertainment for summer visitors; often Hunter depicts scenes of the audience milling around, capturing on paper the causal seaside atmosphere."

This is the striped 1920s version of the pavilion (see photograph below). The pavilion changed in appearance a few times in the decades that it graced the pier. At the foot of this post is another Hunter sketch of a similar scene. In this one, the pink cloud suggests an evening performance as the sun sets. I wonder whether the pier could ever witness such scenes again....

George Hunter was a Scottish painter - one of the Scottish Colourists - whose work was characterised by the bold use of colour and loose brushwork. He was born on 7 August 1877 to Rothesay chemist William Hunter and his wife Jeanie Stewart. He was their fifth child. George spent the first fifteen years of his life in Rothesay, where he developed a passion for drawing from a young age.  Early in 1892, two of George's older siblings died while still in their early twenties. Later that year, William, Jeanie and their three surviving children emigrated to California.  They initially settled on an orange grove 50 miles east of Los Angeles, where they enjoyed the change of climate. Two or three years later they moved to the city but in 1899 all except George returned to Scotland.

George moved to San Francisco, where he began using the name 'Leslie' for the first time. There he became a member of the bohemian community of artists, writers and poets. His earnings from work as an illustrator for magazines and books paid for a visit to Paris in 1904. This trip inspired him to try his hand at oil painting. Back in San Francisco, in 1905, he compiled a portfolio of work to be exhibited the following year in what would be his first solo exhibition. However, this would never come to pass, as all of his work was destroyed by the fires that followed the 1906 earthquake in the city.

This was a disaster for Hunter and led to his return to Scotland. He settled in Glasgow later in 1906 but continued to make visits to France from time to time (except during the First World War when travel was restricted). Hunter developed a group of friends based on the east coast of Scotland, who introduced him to Fife. The county's rural architecture and colourful landscapes became an important source of inspiration to him. Ceres and Lower Largo in particular were favourite haunts. In a letter to one of those friends Hunter wrote "Fife is ever a delightful thought on my mind with its beautiful valleys and villages".

Above is 'Cottages and Landscape, Fife' dated 1923-24, which is in fact Drum Lodge looking east.

Above is 'Largo, Fife' (undated) showing Main Street, Lower Largo, looking east where Horne's Buildings now stand on the left and the right turn at White Cottage is off picture to the right.

Above is 'Largo Harbour' dated 1925.

Above is 'Figures on the Pier, Largo' undated.

Above is 'Mill, near Largo' dated 1924, depicting the flour mill at Lundin Mill - not far from another of his subjects, Dunkirk Cottage.

Above is 'Cottages Under a Railway Bridge' (1924) featuring the railway viaduct, cottages and the oil and cake mill. 

Above is 'Boats, Lower Largo' dated 1926, looking west from close to the Orry.

So it was the early to mid years of the 1920s that Hunter frequently visited Largo. This was the same period of his life that he became increasingly associated with the other three Scottish Colourists: Samuel Peploe, Francis Cadell and John Duncan Fergusson. There were also trips to mainland Europe throughout the 1920s. In 1929, while in the French Riviera, Hunter suffered a breakdown and was brought back to Scotland by his sister to recuperate. Despite a period of recovery, his health deteriorated soon afterwards and he died in 1931 in Glasgow aged 54. Exhibitions of his work continued after his death and his art still commands huge interest today.